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What does philosophy think about literature? And what does literary theory tell us about philosophy? Find out how philosophy addresses the questions of the nature and value of literature, and how literary analysis shows that philosophy's attempts at persuasion conflict with its image of pure and untainted reason.
"What does philosophy think about literature? And what does literary theory tell us about philosophy? Find out how philosophy addresses the questions of the nature and value of literature, and how literary analysis shows that philosophy's attempts to persuade its reader seem to conflict with its self-definition as the discourse of pure and untainted reason. Discover why Plato divided philosophy and literature, banishing literature from his ideal state, and how Aristotle answered Plato's criticisms of literature. And explore how philosophy's drive to define phenomena takes us into different ways of defining literature."--
The Aesthetics of Wine shows that discussing wine within the framework of aesthetics both benefits our understanding of wine as a phenomenon, while also challenging some of the basic assumptions of the tradition of aesthetics. Analyzes the appreciation of wine as an aesthetic practice. Tackles prejudices against bodily senses, showing how they distort traditional aesthetic theory Represents the beginnings of a reformulation of general aesthetics
Philosophy and Kafka is a collection of original essays interrogating the relationship of literature and philosophy. The essays either discuss specific philosophical commentaries on Kafka’s work, consider the possible relevance of certain philosophical outlooks for examining Kafka’s writings, or examine Kafka’s writings in terms of a specific philosophical theme, such as communication and subjectivity, language and meaning, knowledge and truth, the human/animal divide, justice, and freedom.
Alan H. Goldman presents an original account of the relationship between philosophy and the novel. With reference to key literary works including Hemingway's The Sun Also Rises, Twain's Huckleberry Finn, and Conrad's Nostromo, he defends theories of literary value and interpretation, and explores themes in novels relating to moral agency.
The main purpose of this book is to analyse the philosophical ideas employed by Jean-Paul Sartre in his philosophical fiction titled Nausea (1938). Sartre tries to convey some of his philosophical concerns through this novel. Although the philosophical ideas are conveyed in the novel these are not as vivid as could be in a philosophical texts (The Transcendence of the Ego 1936, Being and Nothingness 1943). The significance of this work, however, lies not on understanding the philosophical concerns in isolation, but in employing the same in the form of a literary work and certain literary technique in pseudonymous plays or names. Sartre engages with pseudonymous play of protagonist and many other characters in his semi-autobiographical novel Nausea as he also says by himself in his later publication of autobiographical work The Words (1946) and first undated sheets of the novel Nausea where he laments his constant confrontation with difficult situations of lived experience.
This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal for course use
In this important study, Michael Luntley offers a compelling reading of Wittgenstein’s account of meaning and intentionality, based upon a unifying theme in the early and later philosophies. A compelling reading of Wittgenstein’s account of meaning and intentionality. Offers an important and original reading of Wittgenstein’s key texts. Based upon a unifying theme in Wittgenstein’s early and later philosophies.
This book offers an insightful history of dystopian literature, integrating it within the conceptual schemas of Deleuze and Guattari. Unlike earlier examples of dystopia which depict representations of a possible future that is remarkably worse than present society, contemporary dystopia often tends to portray an almost allegorical re-presentation of present society. Tracing dystopia’s shift from transcendence towards immanence with the rise of late neoliberal capitalism and control-societies, Çokay Nebioğlu skilfully constructs a new taxonomy of dystopian fiction to address this changing dynamic. Accompanied by a subtle exploration of earlier and later examples of the genre by George Or...