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Marko the Damned
In the haunting and gothic landscape of 1640s Ukraine, Marko the Damned (1879) by Oleksa Storozhenko weaves a chilling tale of rebellion, betrayal, and the supernatural. Set against the backdrop of the kozak struggle for freedom, this gripping novel follows the harrowing journey of Marko, a kozak warrior ensnared by dark forces. As the kozaky rise up against their oppressors, Marko finds himself torn between loyalty to his comrades and a cursed destiny that threatens to consume him. With every step, he battles both the homeland’s enemies and the sinister powers that seek to claim his soul. Storozhenko’s masterful storytelling plunges readers into a world of eerie shadows and moral dilemmas, where the fight for freedom intertwines with a descent into the macabre. Marko the Damned is a captivating exploration of human resilience and the unyielding spirit of the kozaky, destined to leave readers both enthralled and unsettled.
Brothers or Enemies
Contrary to the prevailing opinion, the idea of Ukrainian independence did not emerge at the end of the nineteenth-century. In Brothers and Enemies, Johannes Remy reveals that the roots of Ukrainian independence were planted fifty years earlier. Remy contextualizes the Ukrainian national movement against the backdrop of the Russian Empire and its policy of oppression in the mid-nineteenth-century. Remy utilizes a wide range of unpublished archival sources to shed light on topics that are absent from current discourse including: Ilarion Vasilchikov’s alliance with Ukrainian activists in 1861, the forged revolutionary proclamation used to deport Pavlo Chubynsky (who is known today as the author of the Ukrainian national anthem), and the 1864 negotiations between Kyiv activists and the Polish National Government. Brothers and Enemies is the first systematic study of imperial censorship policies during the period and will be of interest to those who seek a better understanding of the current Ukrainian-Russian conflict.
Folk Horror
While the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror's geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.
Ukrainian Nationalism
Both celebrated and condemned, Ukrainian nationalism is one of the most controversial and vibrant topics in contemporary discussions of Eastern Europe. Perhaps today there is no more divisive and heatedly argued topic in Eastern European studies than the activities in the 1930s and 1940s of the Organization of Ukrainian Nationalists (OUN). This book examines the legacy of the OUN and is the first to consider the movement’s literature alongside its politics and ideology. It argues that nationalism’s mythmaking, best expressed in its literature, played an important role. In the interwar period seven major writers developed the narrative structures that gave nationalism much of its appeal. For the first time, the remarkable impact of their work is recognized.
Encyclopedia of Ukraine
Over thirty years in the making, the most comprehensive work in English on Ukraine is now complete: its history, people, geography, economy, and cultural heritage, both in Ukraine and in the diaspora.
Russia and Ukraine
Both Russian and Ukrainian writers have explored the politics of identity in the post-Soviet period, but while the canon of Russian imperial thought is well known, the tradition of resistance - which in the Ukrainian case can be traced as far back as the meeting of the Russian and Ukrainian polities and cultures of the seventeenth century - is much less familiar."--BOOK JACKET.
A Companion to Marina Cvetaeva
Marina Cvetaeva is one of the best-known Russian poets of the 20th century, often translated and studied in a copious scholarly literature. With articles on Cvetaeva’s biography and her relationship with visual arts, drama, folklore, music, translation and the work of other poets, this volume offers both a valuable overview of scholarly approaches to her work today and a way to enter specific aspects of her writing and career. Contributors include both foremost established scholars of Cvetaeva’s work and young scholars taking new approaches and discovering neglected artifacts and topics. Scholars who do not read Russian will find this collection of value, as will advanced students of Russian literature, poetry, and women’s writing. Contributors include Molly Thomasy Blasing, Karen Evans-Romaine, Sibelan Forrester, Karin Grelz, Olga Peters Hasty, Maria Khotimsky, Olga Partan, and Alexandra Smith
Literary Politics in the Soviet Ukraine, 1917-1934
Literary Politics in the Soviet Ukraine, 1917-1934 illuminates the flowering of Ukrainian literature in the 1920s and the subsequent purge of Soviet Ukrainian writers during the following Stalinist decade. Upon its original publication in 1956, George S. N. Luckyj's book won the praise of American and English critics, but was violently attacked by Soviet critics who labeled it a "slander on the Soviet Union." In the current political environment of glasnost, the book's findings have been acknowledged and supported by Soviet scholars. Moreover, this new critical corroboration has enabled the author to discover that the 1930s purge was more brutal than was previously estimated. The new edition...
