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This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps. Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head”...
A comprehensive documentary history of children whose parents were identified as enemies of the Soviet regime, from its inception through Joesph Stalin's death. With top-secret documents in translation from the Russian state archives, memoirs, and interviews with child survivors
During the Soviet era, millions of Soviets - Socialist Revolutionaries, peasants, ordinary citizens, Bolshevik party activists and university students - were denounced, arrested, and imprisoned on fabricated charges of conducting 'anti-state' activities. Till My Tale Is Told recounts the testimonies of women whose family lives and careers were brutally disrupted by the nightmare of false accusation, torture, humiliation, hunger, and unspeakable deprivation. The women in this book were fortunate: unlike several million others, they survived. Published in Moscow in 1989, the narratives collected in this volume were written illegally and for many years hidden away from public view. Although in 1956 political prisoners began to be officially rehabilitated and declared innocent, their writings were repressed as 'slandering the Soviet system'. Although most of the authors were arrested in the Great Purges of the 1930s, the selections span the entire history of the Gulag Archipelago from the 1920s to the late 1940s, adding another sixteen distinctive voices to the accounts published in the west by Yevgenia Ginsburg and Alexander Solzhenitsyn.
This landmark book uncovers for the first time in detail one of the greatest horrors of the twentieth century: the vast system of Soviet camps that were responsible for the deaths of countless millions. Gulag is the only major history in any language to draw together the mass of memoirs and writings on the Soviet camps that have been published in Russia and the West. Using these, as well as her own original research in NKVD archives and interviews with survivors, Anne Applebaum has written a fully documented history of the camp system: from its origins under the tsars, to its colossal expansion under Stalin's reign of terror, its zenith in the late 1940s and eventual collapse in the era of glasnost. It is a gigantic feat of investigation, synthesis and moral reckoning.
The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times. The Russian Revolution launched an eco-nomic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women's social, sexual, eco-nomic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation meant greater freedom for men than for women. The transformations that women needed to gain true equality were postponed by the pov-erty of the new state and the political agendas of leaders like Lenin, Trotsky, and Stalin.
A veteran writer on Russia and the Soviet Union explains why Russia refuses to draw from the lessons of its past and what this portends for the future Russia today is haunted by deeds that have not been examined and words that have been left unsaid. A serious attempt to understand the meaning of the Communist experience has not been undertaken, and millions of victims of Soviet Communism are all but forgotten. In this book David Satter, a former Moscow correspondent and longtime writer on Russia and the Soviet Union, presents a striking new interpretation of Russia's great historical tragedy, locating its source in Russia's failure fully to appreciate the value of the individual in compariso...
The most heinous Soviet crimes – the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities – were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe –the survivors or Soviet propaganda– many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did. ...
Comprehensive historical survey and critical analysis of the vast body of narrative literature about the Soviet gulag. Leona Toker organizes and characterizes both fictional narratives and survivors' memoirs as she explores the changing hallmarks of the genre from the 1920s through the Gorbachev era. Toker reflects on the writings and testimonies that shed light on the veiled aspects of totalitarianism, dehumanization, and atrocity. Identifying key themes that recur in the narratives -- arrest, the stages of trial, imprisonment, labor camps, exile, escapes, special punishment, the role of chance, and deprivation -- Toker discusses the historical, political, and social contexts of these accounts and the ethical and aesthetic imperative they fulfill. Her readings provide extraordinary insight into prisoners' experiences of the Soviet penal system. Special attention is devoted to the writings of Varlam Shalamov and Aleksandr Solzhenitsyn, but many works that are not well known in the West, especially those by women, are addressed. Consideration is also given to events that recently brought many memoirs to light years after they were written.
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing u...
In Criminals, Nazis, and Islamists, Vera Mironova examines conflicts and cooperation between inmates in male prisons in the former Soviet Union. She begins by focusing on the earliest prisoner groups, in particular the Vory criminal organization, which began in the 1930s. The Vory were able to develop rules, norms, and unique criminal ideology to ensure their monopoly in prison internal governance. Not only did they establish control over inmates, the Vory also successfully stood up against prison authorities to make inmates life behind bars as comfortable as possible, and as a consequence ensured its own survival in power. Mironova also explains how the Vory uses different methods, from str...