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Eve of the Festival
Eve of the Festival is a study of Homeric myth-making in the first and longest dialogue between Penelope and Odysseus (Odyssey 19). The author makes a case for seeing virtuoso myth-making as an essential part of this conversation, a register of communication which provides the speakers with a coded way of exchanging their thoughts. At the core of the book is a detailed examination of several myths in the dialogue to understand what is being said and to what effect. The dialogue is interpreted as an exchange of performances which have for their occasion the eve of Apollo's festival and which amount to activating, and even enacting, the myth corresponding within the Odyssey to this ritual event. --Book Jacket.
A Penelopean Poetics
A Penelopean Poetics looks at the relationship between gender ideology and the self-referential poetics of the Odyssey through the figure of Penelope. She is a cunning story-teller; her repeated reweavings of Laertes' shroud a figurative replication of the process of oral poetic composition itself. Penelope's web is thus a discourse and it can be construed specifically as feminine. Her gendered poetics celebrates process, multiplicity, and ambiguity and it resists phallocentric discourse by undermining stable and fixed meanings. Penelope's poetics become a discursive thread through which different feminine voices can realize their resistant capacities. Author Barbara Clayton's work contributes to discussions in the classics as well as literary criticism, sex and gender studies, and women's studies.
The Promise of Not-Knowing
David E. Fredrickson asks a key question for interpreters of the New Testament in the twenty-first century: Do established ways of reading the New Testament need to be challenged and new ones explored? His answer is "yes," but he takes care not to dismiss readers' experiences in the previous two millennia. He values the readings of the past even as he contests the insights of scholars, preachers, monks, nuns, skeptics, the devout, the disinterested, the keenly interested, and all the rest who have tried to make sense of the earliest Christian writings. Fredrickson does not want to give an impression of "I know better than them." But he goes on to say that "strange as it sounds, not-knowing i...
Homer in Performance
Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts—performing the poem and narrating and speaking in character within it—are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhap...
Myth and History: Close Encounters
The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest. The understanding of myth as a phenomenon imbued with social and historical nuances allows for more than one methodological approaches. Within the wider context of interdisciplinary exchange of ideas, the present volume returns to origins, as it traces and registers the association and interaction between myth and history in various literary genres in Greek and Roman antiquity (i.e. an era when the scientific definitions of and distinctions between myth and history had not yet been perceived as such, let ...
The Shadows of Socrates
The death of Socrates may be the most famous unsolved murder in history. Set during the Peloponnesian War, this narrative solves that mystery, revealing for the first time how the philosopher was set up, who did it, and why. The influence of the ancient Greek philosopher Socrates has been profound. Even today, over two thousand years after his death, he remains one of the most renowned humans to have ever lived, occupying a stratum with the likes of Buddha, Jesus, Muhammed, Confucius, and Moses. It may not be too much to say that Socrates is the single most recognizable name in the history of all humanity. The death of Socrates is, in some ways, the most famous unsolved murder mystery in his...
The Usable Past
In this volume, scholars of history, archaeology and anthropology explore the located and contextual nature of historical narratives, analysing contested historical rituals, building style, and traditions, .
Homeric Contexts
This volume aims at offering a critical reassessment of the progress made in Homeric research in recent years, focussing on its two main trends, Neonalysis and Oral Theory. Interpreting Homer in the 21st century asks for a holistic approach that allows us to reconsider some of our methodological tools and preconceptions concerning what we call Homeric poetry. The neoanalytical and oral 'booms', which have to a large extent influenced the way we see Homer today, may be re-evaluated if we are willing to endorse a more flexible approach to certain scholarly taboos pertaining to these two schools of interpretation. Song-traditions, formula, performance, multiformity on the one hand, and Motivforschung, Epic Cycle on the other, may not be so incompatible as we often tend to think.
Odysseys of Recognition
Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity.
The Ritual Lament in Greek Tradition
The only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis.
