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"A collection of comic strips set in the world of Macanudo"--
A educação das pessoas com deficiência vem exigindo novas posturas, sensibilidades e conhecimentos acerca do processo inclusivo. Nesse cenário, o atendimento inclusivo ao estudante jovem e adulto com deficiência intelectual que chega às etapas finais da escolarização básica, ou seja, anos finais do ensino fundamental e ensino médio da EJA, ainda é pouco discutido. A estruturação de um atendimento educacional especializado que contemple as especificidades desse público e a movimentação de práticas pedagógicas que estimulem a aprendizagem e o desenvolvimento são essenciais para o êxito da prática inclusiva. Nesse sentido, esta obra apresenta notas sobre esse atendimento a partir de um estudo prático, visando dar visibilidade à educação inclusiva nessa modalidade e suscitar resistências e motivações em todos os que acreditam e se posicionam ativamente por uma escola inclusiva com maior equidade ao estudante jovem ou adulto com deficiência intelectual.
A obra em questão, é uma coletânea de produções, fruto de estudiosos participantes de uma disciplina especial em nível stricto sensu intitulada Princípios da educação em direitos humanos e sua ressonância na educação formal e não formal oferecida pelo Programa de Pós Graduação em Educação da Universidade Estadual de Ponta Grossa/Paraná, em 2020. O propósito foi problematizar a concepção da cultura do Educação em Direitos Humanos frente a tessitura social, observando as multidimensões nos espaços educativos.
MONSTER ROSA IS A STORY ABOUT THE VALUE OF DIFFERENCE. A story to understand diversity as an enriching element of our society. Monster Rosa is a shout out to freedom. This book was awarded the Apila Primera Impresión Award 2013 for best new author project, the Golden Pinwheel Award, (International Original Children’s Picture Book Award) CCBF-Shanghai Children’s Book Fair 2013 (China) and the Aurelio Blanco Award for the best project in the Applied Arts Family Book of the Community of Madrid. A great bestseller among children’s picture books translated into fifteen languages. - Pink Monster tenderness and kindness make her quickly become a favourite for all children. - Wonderful illustrations with a certain naïve touch that immediately resonates with children. - A friendly and funny story that speaks about diversity. A story we can all identify with.
In a gorgeous keepsake volume based on the slideshow that captured the world’s attention, Gabriele Galimberti’s beautiful portraits of grandmothers from all over the world with their signature dishes stunningly illustrates the international language of food and family. On the eve of a photography trip around the world, Gabriele Galimberti sat down to dinner with his grandmother Marisa. As she had done so many times before, she prepared his favorite ravioli—a gesture of love and an expression of the traditions by which he had come to know her as a child. The care with which she prepared this meal, and the evident pride she took in her dish, led Gabriele to seek out grandmothers and thei...
'Deeply satisfying and nuanced . . . a tender exploration of love in its many forms' Observer 'Gonzalez couples engrossing political intrigue with engagingly flawed characters you can't help but root for' Mail on Sunday It's 2017, and Olga and her brother, Pedro 'Prieto' Acevedo, are bold-faced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying, Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan's power brokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the one percent, but she can't seem to find her own . . . until she me...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
'A darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women' EMMA STONEX, author of THE LAMPLIGHTERS 'An essential story of women resisting the unjust exertion of male power' SUNDAY TIMES ____________________ The Salpêtrière asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or hysterical, outcasts from society. But the truth is much more complicated - for these women are often simply inconvenient, unwanted wives or strong-willed daughters. Once a year a grand ball is held at the hospital. For the Parisian elite, the Mad Women's Ball is the highlight of the social season; for th...
El actor de Hollywood Anton Soutier decide emprender un nuevo camino como director de cine. Para financiar su ópera prima pedirá la ayuda de su amigo y colega Thomas Hendrix, quien venderá el proyecto al resto de accionistas de la productora para la que trabaja. Debido a un movimiento inesperado, la película fracasa y la productora solicitará a Soutier el retorno de la inversión. Sin capacidad de respuesta, el actor decide presentar a la empresa un nuevo proyecto que cree que generará ganancias suficientes como para cubrir pérdidas. Sin embargo, esta vez el accionariado le pedirá garantías, condiciones que se escaparán de toda ética y que llevarán al hundimiento del actor.
The Lloyd's Register of Shipping records the details of merchant vessels over 100 gross tonnes, which are self-propelled and sea-going, regardless of classification. Before the time, only those vessels classed by Lloyd's Register were listed. Vessels are listed alphabetically by their current name.