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From the acclaimed author of The Employees, a radical, funny, and mercilessly honest novel about motherhood. After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf Anna, who obsessively devours online news and compulsively orders clothes she can’t afford. To avoid sinking deeper into her depression, she forces herself to read and write. My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms—fiction, essay, poetry, memoir, and letters—to explore the relationship between motherhood, work, individuality, and literature.“Olga Ravn writes dazzlingly about the work of motherhood and the work of writing. Reading Ravn’s book, you run through the whole gamut of human emotion, as though you too were a new mother: tears, laughter, anger, fear, pain, frustration. This is powerful writing that’s hard to put down.”—Politiken
Eighteen international writers respond to the open-ended period of social distancing, closures, and illness caused by Covid-19. Compiled during the initial lockdown in Europe, this special collection is a meteoric publishing project with contributions from some of the most exciting and innovative authors working today. Original work by Enrique Vila-Matas, Olivia Sudjic, Jon Fosse, Inger Wold Lund, Vi Khi Nao, Patrícia Portela, Lucie Elven, Mara Coson, Christina Hesselholdt, Jean-Baptiste Del Amo, Naja Marie Aidt, Michael Salu, Joanna Walsh, Jakuta Alikavazovic, Anna Zett, Emilio Fraia, Frode Grytten, and Olga Ravn Translations by Margaret Jull Costa, Zoë Perry, Martin Aitken, Denise Newman...
A #1 INTERNATIONAL BESTSELLER 'Bernhard Schlink speaks straight to the heart' New York Times 'Brilliant... A tale of love and loss in 20th century Germany' Evening Standard 'A cleverly-constructed tale of cross-class romance' Mail on Sunday 'A poignant portrait of a woman out of step with her time' Observer Olga is an orphan raised by her grandmother in a Prussian village around the turn of the 20th century. Smart and precocious, she fights against the prejudices of the time to find her place in a world that sees her as second-best. When she falls in love with Herbert, a local aristocrat obsessed with the era's dreams of power, glory and greatness, her life is irremediably changed. Theirs is a love against all odds, entwined with the twisting paths of German history, leading us from the late 19th to the early 21st century, from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west. This is the story of that love, of Olga's devotion to a restless man - told in thought, letters and in a fateful moment of great rebellion.
"In 1968, avant-garde artist Marcel Duchamp and composer John Cage exhibited Reunion, a chess performance that took place in Toronto. Whenever Duchamp or Cage moved a piece, it generated a musical note until the game was transformed into a symphony. Inspired by this performance, Irresponsible Mediums-poet and academic Aaron Tucker's second full-length collection of poems-translates Duchamp's chess games into poems using the ChessBard (an app co-created by Tucker and Jody Miller) and in the process, recreates Duchamp's joyous approach to making art, while also generating startling computer-made poems that blend the analog and digital in strange and surprising combinations."--
From one of Scandinavia's most innovative writers, a shimmering journey into the absurd phenomenality of family life - and the human microbiome Adorable is a haunting, transmundane portrait of a young family told in four parts, in Copenhagen and London. The love between B and Q is tender but worn. When their daughter Æ is born, the everyday lights up in a new way. In its second part, the dead are animated in B's brain. When B's father dies, the news is delivered to her by phone and an essayistic, collagist meditation on death and transmission ensues. And then, it's finally Friday. B and Q descend below the living room floor and wander through a cracked and skittish underworld. In Ida Marie ...
Picture Worldï¿1/2is the first complete book by the Danish poet Niels Frank to be published in English. By turns funny and serious, ironic and sincere, droll and sly, conversational and playfully inventive, it draws the reader into a set of contemplations that grows more and more complex as its elements recur, reinforcing and undercutting one another, casting light but also doubt. As a poetic sequence in twenty-four parts, this is a work of high ambition. Its signal achievement is to use an accessible voice to present a deeply nuanced composition. As the title suggests, pictures play a special role. Visual images not only serve as metaphors and similes, but appear in the form of photograph...
In Tongues: On Longing and Belonging Through Language writers examine their intimate relationship with language in essays that are compelling and captivating. There are over 200 mother tongues spoken in Canada, and at least 5.8 million Canadians use two or more languages at home. This vital anthology opens a dialogue about this unique language diversity and probes the importance of language in our identity and the ways in which it shapes us. In this collection of deeply personal essays, twenty-six writers explore their connection with language, accents, and vocabularies, and contend with the ways they can be used as both bridge and weapon. Some explore the way power and privilege affect lang...
Jun’ichirō Tanizaki is one of the most eminent Japanese writers of the twentieth century, renowned for his investigations of family dynamics, eroticism, and cultural identity. Most acclaimed for his postwar novels such as The Makioka Sisters and The Key, Tanizaki made his literary debut in 1910. This book presents three powerful stories of family life from the first decade of Tanizaki’s career that foreshadow the themes the great writer would go on to explore. “Longing” recounts the fantastic journey of a precocious young boy through an eerie nighttime landscape. Replete with striking natural images and uncanny human encounters, it ends with a striking revelation. “Sorrows of a He...
LONGLISTED FOR THE INTERNATIONAL MAN BOOKER PRIZE 2019 A brilliant collection of fictions in the vein of Roald Dahl, Etgar Keret and Amy Hempel. These are stories of what the world looks like from a child's pure but sometimes vengeful or muddled perspective. These are stories of life in a war zone, life peppered by surreal mistakes, tragic accidents and painful encounters. These are stories of fantasist matadors, lost limbs and perplexed voyeurs. This is a collection about sex, death and the all-important skill of making life into a joke. These are unexpected stories by a very fresh voice. These stories are unforgettable.
A young mother speaks to her second born child. Since the drama of childbirth, all feels calm. The world is new and full of surprises, even though dangers lurk behind every corner; a car out of control, disease ever-present in the air, the unforgiving speed of time. She tells of the times before the child was born, when the world felt unsure and enveloped in darkness, of long nights with an older lover, of her writing career and the precariousness of beginning a relationship and then a family with her husband, Bo. A portrait of modern motherhood, THE CHILD is a love story about what it means to be alive and stay alive, no matter how hard the journey.