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The first book of poems by Oli Hazzard, this compilation exposes its author as a consummate master of language, a gifted writer of free verse with the ability to write in traditional poetic forms and stretch the forms to their limits. Through lyrical poems and satires, this collection explores contrasting milieus such as city and country and reality and dream, while subjects such as thefts and love affairs are expressed through palindromes, mirrored poems, and homophonic translations.
In 1966, John Ashbery wrote: 'The English language is constantly trying to stave off invasion by the American language; it lives in a state of alert which is reflected to some degree in English poetry.' This book shows how the work of a major post-war American poet has been centrally concerned with questions of national identity and intercultural poetic exchange, by reading crucial episodes in Ashbery's oeuvre in the context of an 'other tradition' of modern English poets he himself has defined. This line runs from the editor of Ashbery's recent Collected Poems, Mark Ford, through Lee Harwood in the late 1960s, F. T. Prince in the 1950s, to 'chronologically the first and therefore most impor...
A stunning collection of work from beloved poet John Ashbery, his first posthumous book Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashb...
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Oli Hazzard's Blotter consists of five sequences, each constructed using a different process. In 'Graig Syfyrddin' notes on hillwalking in the Welsh marches – the poet's former home – alternate with found text taken from an online walking forum. 'Blotter' is a shepherd's calendar of sonnets composed of Russian spambot script – a mix of lifestyle advice, gaming tips, authoritarian propaganda, bucolic fragments and apocalyptic messages. 'Within Habit' is a series of prose poems collaged from numerous sources. 'March and May' comprises parallel columns of verse. 'Or As' is a family of 81 seventeen-syllable poems, each one an erasure of the corresponding page in a different book the poet w...
Epipremnum aureum, devil's ivy, or (somewhat erroneously) pothos is not special. It is not symbolically useful, it is not rare, it is not hard to grow or care for. But in the aftermath of unexpected death, an impossible-to-kill houseplant might have something to say about keeping going. In Pothos, Campbell traces a polyvocal narrative of loss, absent presence, and queer homemaking through a poetics of attention and an engagement with texts, art, music, and the occasional hologram. Hovering somewhere between memoir, prose poetry and essay, Pothos examines the condition of being alternately infuriated, bored, and overwhelmed by grief - its mutability, its opacity, its refusals. It is a raw and nebulous exploration of mourning, care and domesticity, and the way in which the small background sentience of plants can (maybe) tell us something about our own growth.
LONDON
In Between Two Windows, his first book of poems, Oli Hazzard takes language out to stretch and flex and bend itself into new shapes. Into the formal straits of sestinas, sonnets and pantoums stray palindromes, mirrored poems, anagrams, allusions and curiosities. His lyrics and satires dance in the spaces that open up between intention and expression, the moment when the horse attempts to throw its rider.
A cloth bag containing ten copies of the title.
A gritty collection of graphic short stories by a Japanese manga master depicting life on the streets among punks, gangsters, and vagrants. Tadao Tsuge is one of the pioneers of alternative manga, and one of the world’s great artists of the down-and-out. Slum Wolf is a new selection of his stories from the late Sixties and Seventies, never before available in English: a vision of Japan as a world of bleary bars and rundown flophouses, vicious street fights and strange late-night visions. In assured, elegantly gritty art, Tsuge depicts a legendary, aging brawler, a slowly unraveling businessman, a group of damaged veterans uniting to form a shantytown, and an array of punks, pimps, and drunks, all struggling for freedom, meaning, or just survival. With an extensive introduction by translator and comics historian Ryan Holmberg, this collection brings together some of Tsuge’s most powerful work—raucous, lyrical, and unforgettable.