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Visions and Revisions
The desire to see afresh, to see differently, both old and not-so-old texts underlies Visions and Revisions: Women's Narrative in Twentieth-Century Spain. The authors studied, born between 1867 and l966, evince an interest in one or more of the issues that structure and give unity to this book: the construction of the self, concepts of gender and nation, center and margin, and efforts to recover and/or reconstruct the past, both individual and collective. In addition to focusing on questions that are currently of great critical interest, the volume features both Castilian and Catalan authors: Josefina Aldecoa, Carmen de Burgos, Maria Aurèlia Capmany, Dulce Chacón, Lucía Etxebarria, Ana Ma...
Dorothea Lange
Best known for her portraits of Depression-era America, Lange put a human face on this difficult period, and revolutionized documentary photography. This exquisitely produced volume surveys her work throughout the 1930s and 1940s.
László Moholy-Nagy
The Art of Light is a superb review of the work of one of the 20th century ́s most influential artists, László Moholy-Nagy ¿ an artist who conceived the various forms of art as a whole. Moholy-Nagy wanted to be a "total artist", simultaneously theoretical and practical, creating in various media and trying to overcome the separation between art and life. His was a radical, experimental art, without sacrificing any artistic practice and wandering from painting, to photography, to films. He also gave great importance to education and believed that man is the only builder of his existence. He was convinced of the importance of art and its ideological and educational functions. Laszlo Moholy-Nagy: The Art of Light presents Moholy-Nagy's work in all of its glorious unity and diversity. Including more than 200 works, from painting, and photograms to collages, films and graphic design, it emphasizes his greatest years of productivity, from 1922 to the end of his life.
To Help or Not to Help – Humanitarianism in the 20th Century
Today, humanitarianism, as a moral imperative to help, is prevalent, especially in the so-called Western world. The public reacts to natural disasters, war, or medical emergencies with a desire to alleviate suffering. But in recent decades historians have begun to critically assess this moral perspective and examine humanitarian organizations, politics, and the motives of humanitarian actors. They highlight how helping people relieve their suffering is just one side to every humanitarian story. Humanitarian actors themselves have their own reasons for helping. Humanitarian aid evolves in a tense dialectic between people in need and the individual agendas of the 'benevolent saviors.' This special issue approaches humanitarianism and humanitarian aid from the perspective of such 'benevolent saviors' and their agendas and covers different moments in history and geographical regions in the 20th century. The papers analyze humanitarianism as a reconstruction mission according to civilizing desires, as an enabling factor for individual professionalization, as a power struggle, and as a tool for domestic and international policymaking.
Light as Experience and Imagination from Medieval to Modern Times
In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.
The Place of the Viewer
In recent decades, art historians and critics have occasionally emphasized a dynamic, embodied mode of looking, accenting the role of the viewer and the complex interplay between beholders and works of art. In The Place of the Viewer, Kerr Houston shows that an attention to the position and physical experiences of beholders has in fact long informed art historical analyses – and that close study of the theme can lead to a fuller understanding of the discipline, the act of viewership and individual works of art. Simultaneously attentive to historical ideas and contemporary scholarship, this book identifies a vein of thought that has been generally overlooked, and proposes new ways of seeing familiar works and traditions.
Architects of Buddhist Leisure
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropo...
Lalibela (Ethiopia)
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PHE99
La segunda edición de PHotoEspaña, el Festival Internacional que convierte Madrid en la capital de la Fotografía acoge, 93 exposiciones simultáneas: alrededor de 30 en museos e instituciones, dentro de la Sección Oficial y más de 50 en galerías de arte y otros espacios, en el Festival Off, formando en conjunto una gran exposición fotográfica en el corazón de la ciudad.
Sensing the Future
Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. 'Sensing the Future' considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy, a prominent professor at the Bauhaus and a key figure in the history of modernism.
