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Plastic and Reconstructive Surgery has been designed to provide succinct information to plastic surgeons of all levels of experience and trainees in partner specialties. It provides an up-to-date record of current practice in a compact and easily transportable format.
Evidence-based medicine is now firmly established in the lexicon of modern health care. In The Evidence for Plastic Surgery the diverse spectrum of plastic surgical practice is called to account by a cross-examination of the available evidence in support of many of the common treatment protocols and surgical procedures in everyday use. The result is a text that makes an important contribution to some of the contentious debates within the specialty and details the critical appraisal of new or developing techniques. The Evidence for Plastic Surgery is a unique and invaluable reference source for senior doctors and for those in training, not only in plastic surgery but also in a variety of other closely aligned specialties including general and orthopaedic surgery.
Eastland Gardens, a little-known treasure in Northeast Washington, DC, is preserved and cherished by the generations who have called it home. Though development was initiated in 1928 by a white-owned real estate investment company, black families and individuals seeking a suburb in the city were able to purchase double lots for single-family houses and gardens. They relied on the expertise of African American builders and designers--sometimes the owners themselves--to create their dream homes. The good fortune of proximity to the Anacostia River, national parks, woods, and fields has enabled Eastland Gardens residents to enjoy garden havens around their individual homes and within the neighborhood and to lay the foundation for a service-rich community. Through their organizational zeal and activism, they have been able to reduce or eliminate the impact of city and federal changes to their nurturing enclave.
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Submariners are a tight knit group of men bound together by training and experience, and with a language all their own. That language is perhaps a little vulgar, but never intentionally demeaning, and a little irreverent but still worldly. This work is an attempt to preserve and explain some of these curious guys who so proudly wear a shiny metal pin that looks like a strange pair of fish on their left breast. This process of accumulating this new language begins in Boot Camp, and is added to with every change of duty station the sailor undergoes. It is heard aboard the boats and, unknowingly, by family members who can't understand terms like head, deck, and overhead, and who think SOS is a distress signal.
"My primary concern is with the ethics of representing vulnerable subjects—persons who are liable to exposure by someone with whom they are involved in an intimate or trust-based relationship, unable to represent themselves in writing, or unable to offer meaningful consent to their representation by someone else.... Of primary importance is intimate life writing—that done within families or couples, close relationships, or quasi-professional relationships that involve trust—rather than conventional biography, which can be written by a stranger. The closer the relationship between writer and subject, the greater the vulnerability or dependency of the subject, the higher the ethical stak...
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
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Philip Larkin (1922-85) was not only one of the foremost English poets of the twentieth century, but also a notable novelist and a distinguished writer on jazz. He was jazz critic for The Daily Telegraph between 1961 and 1971. Jazz Writings brings together Larkin's reviews, articles and essays written for The Guardian, The Observer, The New Statesman, and numerous other publications.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.