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A unique insight into Shakespeare's most monumentally complex character.
This volume offers translations of numerous texts from the Celtic tradition from the 6th through the 13th centuries, in a cross-section of genres and forms.
The wholesale rejection of metaphysics today has become the test of the postmodern. In this groundbreaking volume Oliver Davies argues for a renewal of metaphysics, as the language of createdness, based not in a return to outmoded concepts of essence but in a dynamic new understanding of ontology as narrative and performance. This repairing of the Western metaphysical tradition is grounded both in the divine self-naming in Exodus--which, for the rabbis, identified God's presence in the world with God's compassionate acts--and in the compassionate resistance of Etty Hillesum and Edith Stein to the violence of the Holocaust. Building on a new metaphysics of compassion that is attentive to the histories of the contemporary world, Davies offers a renewed systematic theology of divine speech and relation, focused in Jesus Christ, who, as the triadic "Word" of God, speaks creatively at the heart of human culture and action and who, as the redeeming "Compassion" of God, regenerates the world.
Composed during a critical time in the evolution of European intellectual life, the works of Meister Eckhart (c. 1260-1327) are some of the most powerful medieval attempts to achieve a synthesis between ancient Greek thought and the Christian faith. Writing with great rhetorical brilliance, Eckhart combines the neoplatonic concept of oneness - the idea that the ultimate principle of the universe is single and undivided - with his Christian belief in the Trinity, and considers the struggle to describe a perfect God through the imperfect medium of language. Fusing philosophy and religion with vivid originality and metaphysical passion, these works have intrigued and inspired philosophers and theologians from Hegel to Heidegger and beyond.
Theology of Transformation is both a systematic and a practical theology of active discipleship and vocation which, as a renewal of Christology, has implications across the full range of theological topics. Contemporary Christian theology needs to reflect science in pointing to the universal primacy of action in human life and experience.
Benedictine nun, poet and musician, Hildegard of Bingen (1098-1179) was one of the most remarkable figures of the Middle Ages. She undertook preaching tours throughout the German empire at the age of sixty, and was consulted not only by her religious contemporaries but also by kings and emperors, yet it is largely for her apocalyptic and mystical writings that she is remembered. This volume includes selections from her three visionary works, her treatises on medicine and the natural world, her devotional songs, and fascinating letters to prominent figures of her time. Dealing with such eternal subjects as the relationship between humans and nature, and men and women, Hildegard's works show her to be a wide-ranging thinker who created such fresh, startling images and ideas that her writings have been compared to Dante and Blake.
This first full-length theological study of sources from early medieval Wales traces common Celtic features in early Welsh religious literature. The author explores the origins of the earliest Welsh tradition in the fusion of Celtic primal religion with primitive Christianity, and traces some considerable Irish influence. These specific Celtic spiritual emphases are examined in the religious poetry of the Black Book of Carmarthen, the Book of Taliesin and the Poets of the Princes, and in prose texts such as The Food of the Soul and the Life of Beuno. Many of these Welsh texts appear here in English translation for the first time.
An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
The conversation of Adam and Eve in Paradise Lost, that most obvious of Milton's additions to the Biblical narrative, enacts the pair's inquiry into and discovery of the gift of their rational nature in a mode of discourse closely aligned to practices of Socrates in the dialogues of Plato and eponymous discourses of Xenophon. Adam and Eve both begin their life "much wondering where\ And what I was, whence thither brought and how.” Their conjoint discoveries of each other's and their own nature in this talk Milton arranges for a in dialectical counterpoise to his persona's expressed task "to justify the ways of God to men." Like Xenophon's Socrates in the Memorabilia, Milton's persona indites those "ways of God" in terms most agreeable to his audience of "men"––notions Aristotle calls "generally accepted opinions." Thus for Milton's "fit audience" Paradise Lost willpresent two ways––that address congenial to men per se, and a fit discourse attuned to their very own rational faculties––to understand "the ways of God to men." The interrogation of each way by its counterpart among the distinct audiences is the "great Argument" of the poem.
We have, as a theological community, generally lost a language in which to speak of the created-ness of the world. As a consequence, our discourses of reason cannot bridge the way we know God and the way we know the world. Therefore, argues Oliver Davies, a primary task of contemporary theology is the regeneration of a Christian account of the world as sacramental, leading to the formation of a Christian conception of reason and a new Christocentric understanding of the real. Both the Johannine tradition of creation through the Word and a Eucharistic semiotics of Christ as the embodied, sacrificial and creative speech of God serve the project of a repairal of Christian cosmology. The world itself is viewed as a creative text authored by God, of which we as interpreters are an integral part. This is a wide-ranging and convincing book that makes an important contribution to modern theology.