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A wide-ranging overview of the emergence of post-foundationalism and a survey of the work of its key contemporary exponents.This book presents the first systematic coverage of the conceptual difference between 'politics' (the practice of conventional politics: the political system or political forms of action) and 'the political' (a much more radical aspect which cannot be restricted to the realms of institutional politics). It is also the first introductory overview of post-foundationalism and the tradition of 'left Heideggerianism': the political thought of contemporary theorists who make frequent use of the idea of political difference: Jean-Luc Nancy, Claude Lefort, Alain Badiou and Ernesto Laclau. After an overview of current trends in social post-foundationalism and a genealogical chapter on the historical emergence of the difference between the concepts of 'politics' and 'the political', the work of individual theorists is presented and discussed at length. Individual chapters are presented
The contributors here discuss the theoretical and practical implications of the two dominant approaches to radical democracy: theories of abundance inspired by Gilles Deleuze and theories of lack inspired by Jacques Lacan. They examine the idea of radical democracy from a wide variety of perspectives: identity/difference, the public sphere, social movements, nature, popular culture, right wing populism, and political economy. In addition, the volume relates the work of contemporary thinkers such as Deleuze, Lacan, Derrida and Foucault to classical thinkers such as Spinoza, Hegel, Marx and Nietzsche.
Laclau: A Critical Reader is the first full-length critical appraisal of Laclau's work and includes contributions from several leading philosophers and theorists. The first section examines Laclau's theory that the contest between universalism and particularism provides much of the philosophical background to political and social struggle, taking up the important place accorded to, amongst others, Hegel and Lacan in Laclau's work. The second section of the book considers what Laclau's 'radical democracy' might look like and reflects on its ethical implications, particularly in relation to Laclau's post-Marxism and thinkers such as Jürgen Habermas. The final section investigates the place of hegemony in Laclau's work, the idea for which he is perhaps best-known. This stimulating collection also includes replies to his critics by Laclau and the important exchange between Laclau and Judith Butler on equality, making it an excellent companion to Laclau's work and essential reading for students of political and social theory.
A systematic treatment of Hume's conception of imagination in all the main topics of his philosophy.
A new political theory of art and artistic praxis. Leaping into current debates about the political efficacy of art, the essays in Conflictual Aesthetics critique the supposition that all art is inherently political. Opposed to the political art defended by art world functionaries that hides behind “simplistic complexity,” Oliver Marchart argues for a straightforwardly political theory of art and artistic praxis. At the intersection of art theory and radical politics, he proposes an aesthetics of agitating, propagating, and organizing, through which he problematizes and evaluates art in relation to activism or political propaganda, and addresses the radical potential of dance, theater, artistic re- and pre-enactments, public art, the curator, and the biennial.
X93;Truth is concrete” collects 100 strategies by artists, activists and theorists, mapping the broad field of engaged art and artistic activism today. Additional essays focus on the philosophy, structures and modalities behind the many fights to make this world a better place.
A Lacanian Conception of Populism takes issue with traditional theories of populism, which seek to equate populism with hegemony, arguing that these are not only different but even incompatible logics. Timothy Appleton contends that one of the main differences between populism and hegemony has to do with the social totality: while hegemony absolutises it, populism eviscerates it, setting in its place an (apparently paradoxical) dispersion of singular instances of ‘the people’. The book considers the work of Laclau, Badiou, Žižek and Rancière, before arriving at a novel conceptualisation that Appleton dubs ‘the populism of singularities’. In the second half of the book, the author ...
Essays consider the temporality and the aesthetics of “standstill.” "Standstill” could be the name for the kind of experience that is the hiatus between social expectations and real possibilities of agency. Standstill may also be the name of an aesthetic strategy to instill a nonlinear time of resistance and experience into the political protocol of progress. Finally, standstill can be the name for the temporal fissure in the midst of the subject, for the lapse between the subject of the enunciation and the subject of a statement, the limit that is the border between the inside and the outside. It can be the name for the mode of potentiality, for the moment of gesture, or, with Walter Benjamin, the medium of the dialectical image. The essays of this book traverse these dimensions of standstill as an in-between of time. Contributors Georges Didi-Huberman, Reinhold Görling, Barbara Gronau, Adrian Heathfield, Erika Fischer-Lichte, Oliver Marchart, Rita McBride, Christoph Menke, Aernout Mik, Misha Kavka, David Lapoujade, Mirjam Lewandowsky, Via Lewandowsky, Peter Osborne, Christine Ross, Marcel Odenbach, Jacques Rancière, Ludger Schwarte, Martin Seel
This book reflects on 'the political' in queer theory and politics by revisiting two of its key categories: hegemony and heteronormativity. It explores the specific insights offered by these categories and the ways in which they augment the analysis of power and domination from a queer perspective, whilst also examining the possibilities for political analysis and strategy-building provided by theories of hegemony and heteronormativity. Moreover, in addressing these issues the book strives to rethink the understanding of the term "queer", so as to avoid narrowing queer politics to a critique of normative heterosexuality and the rigid gender binary. By looking at the interplay between hegemony and heteronormativity, this ground-breaking volume presents new possibilities of reconceptualizing 'the political' from a queer perspective. Investigating the effects of queer politics not only on subjectivities and intimate personal relations, but also on institutions, socio-cultural processes and global politics, this book will be of interest to those working in the fields of critical theory, gender and sexuality, queer theory, postcolonial studies, and feminist political theory.
What is Europe? Who is European? What do Europe and European identity mean in the twenty-first century? This collection of sixteen essays seeks to answer these questions by focusing on Europe as it is seen through its own eyes and through the eyes of others across a variety of cultural texts, including sport, film, literature, dance, cartography, and fashion. These texts, as interpreted here by emerging researchers as well as well-established scholars, enable us to engage with European identities in the plural and to understand what these identities mean in larger cultural and political contexts. The interdisciplinary focus of this volume permits an exploration of European identity that reac...