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Design
The finest books produced prior to the outbreak of the Great War were almost invariably printed by the private presses, but in the post-war years the accolade of excellence passed into the hands of firms such as Curwen Press. This book profiles the work of one of the printing industry's great pioneers
Creation: A Guide for the Perplexed
Judaism, Christianity and Islam claim that the universe is not a brute fact. It is 'created'. But what do we mean by 'creation'? Do we mean that the universe is 'designed'? Is it the product of an evolutionary process? How are creatures related to God, and does God act within creation? Simon Oliver begins with the background to the Christian doctrine of creation in Greek philosophy and the Old Testament. This provides a route into understanding the claim that we are part of a created order that is also the theatre of God's redemptive action in Christ. He examines different understanding of creation, with close reference to the work of patristic and medieval theologians such as Augustine and ...
Philosophy, God and Motion
In the post-Newtonian world motion is assumed to be a simple category which relates to the locomotion of bodies in space, and is usually associated only with physics. This book shows this to be a relatively recent understanding of motion and that prior to the scientific revolution motion was a broader and more mysterious category, applying to moral as well as physical movements. Simon Oliver presents fresh interpretations of key figures in the history of western thought including Plato, Aristotle, Aquinas and Newton, examining the thinkers’ handling of the concept of motion. Through close readings of seminal texts in ancient and medieval cosmology and early modern natural philosophy, the b...
Holy Ground
Cathedrals are one area of the church’s life where increasingly the unchurched and the half-believer encounter God, and where the institutions of our society instinctively engage with the Christian gospel. Holy Ground digs deep into the life of England’s cathedrals, and discusses such diverse topics as finance, growth, heritage, liturgy, development, music and art.
Oliver Ranch
The ongoing project that Steve and Nancy Oliver have developed over the last 30 years has no obvious parallel in the history of art collecting. Beginning in 1985, their ranch in Northern California has been the site for dozens of commissions, site-specific and permanent outdoor works, by some of the most significant artists of the twentieth century. The likes of Bruce Nauman, Richard Serra, Ann Hamilton, Martin Puryear, Andy Goldsworthy and many others have constructed works, with the active support of the Olivers. Oliver Ranch is the first published look at one of the greatest collections of outdoor sculpture in the world (open to the public only during the fall and spring for organized groups). Including a major essay plus individual texts on each commission by Joan Simon, and filled with interviews, artist statements, plans, archival photographs and stunning new photography, this book charts the history of the project through each commission, through the eyes of the artists and the Olivers.
Printing of To-day
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Introduction to Typography
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Accidental Alchemy
The significant influence of the periodical Signature on fine art has long been overlooked. While few people nowadays will have read it, no journal has greater claim to have stimulated the taste that became British neo-romanticism in the mid-20th century.Oliver Simon, its editor, publisher, patron and printer was something of an enigma. Although shy, he somehow knew 'everyone' in the London literary and arts scene during the 1930s and 40s. So outwardly conservative to be dubbed 'the archbishop' by Ben Nicholson, Oliver elicited adventurous art from his artist contributors to Signature.The Signature artists were fellow travellers on a journey: young artists working in commercial art to pay the bills. Having mastered graphic techniques for applied purposes they then began to apply what they learned to their own artwork. Then they went off to War...Those interested in the work of Paul Nash, John Piper, Graham Sutherland, Edward Bawden, and Barnett Freedman will enjoy the story of the influence and fellowship of Oliver Simon, Signature, and the Curwen Press, on their art.
Simon and the Birthday Wish
Simon and the Birthday Wish is a hilarious and heart-warming tale for children and grown-ups of all ages. It features fifteen illustrations drawn by the author. What Simon wanted for his seventh birthday was a set of action figures from Planet Patrol, his favourite cartoon. What he got was a tatty second-hand teddy bear. What Simon doesn't know is that the teddy bear is alive and can do magic. What the bear doesn't know is that he's not as good at magic as he thinks he is. When the bear tries to grant a wish for Simon, everything goes wrong, and poor Simon's life is turned inside out, upside down, and sideways. Will things ever go back to the way they were?
Vertigo Comics
This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known as...
