You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This collection of never-before-published correspondence between Pound and Agresti, begun in 1937 and continuing through Pound's incarceration at St. Elizabeth's Hospital in Washington, D.C.--where he was found mentally unfit to stand trial for treason--reveals the depth and breadth of his many virulent views against the politics of the Second World War. Photos.
Selective annotations of Ezra Pound's volume of correspondence, "I Cease Not to Yowl": Ezra Pound's Letters to Olivia Rossetti Agresti, edited by Demetres P. Tryphonopoulos and Leon Surette (Urbana and Chicago, University of Illinois Press [1998]).
Isabel Meredith was the pseudonym of Olivia Rossetti Agresti (1875 - 1960) and Helen Rossetti Angeli (1879-1969) when they published "A Girl Among the Anarchists," a somewhat fictionalized memoir of their days as precocious child revolutionaries. These adventures were also chronicled by their cousin Ford Madox Ford in his 1931 memoir Return to Yesterday. t;
None
None
An exploration of how Dante's work influenced the development of James Joyce's writing on key themes of exile and community.
By introducing us to the New Woman Criminal, Framed offers a profoundly different view of the fin de siècle British crime narrative
The papers included were selected from those given at the 14th international Ezra Pound Conference held at Brunnenburg, Tirolo di Merano, 16-18 July 1991. The guiding principle for organizing the volume was thematic coherence and quality of thought as well as presentation. The articles are gathered under five headings: General Impressions, Traditional Affiliations, Contemporary Connections, Constructing Continuities, and Specific Texts. The exhibitions accompanying the conference are represented and Pound's involvement with Europe is reflected in studies of his relationship with traditional authors as well as his contemporaries. Larger considerations and analysis is offered in Section Four and Cathay, Cantos LXXIII, and Drafts and Fragments are given individual attention.