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Tucholsky and France
In his final 'Q-Tagebuch' report to Hedwig Muller dated 19 December 1935 Tucholsky declared: 'Dass ich mein Leben zerhauen habe, weiss ich. Dass ich nicht allein daran schuld bin, weiss ich aber auch. Mein Gott, ware ich in Frankreich geboren...!' Combining biographical investigation with an analysis of Tucholsky's published journalism, this study sets out to assess the significance of the contact with France and French culture in Tucholsky's life and work It shows the extent to which he was influenced by the French cultural and intellectual tradition, and by his first-hand experience of France. It provides new insights into Tucholsky's life in France, notably his involvement with French freemasonry and the importance of his contacts in French literary, pacifist, and political circles. This study also considers the role Tucholsky played, or attempted to play, in improving Franco-German relations, and reveals the extent of his efforts to promote rapprochment, not only in Germany, but also in France, through behind-the-scenes contact with politicians and diplomats, through lectures, and through his published journalism.
Gothic Images of Race in Nineteenth-Century England
In pursuing the sources for late-eighteenth and nineteenth-century demonization of racial and cultural difference, this book moves back and forth between the imagined world of literature and the real world of historical experience, between fictional romance and what has been called the parallel fictions of the human sciences of anthropology and biology. The author argues that the gothic genre and its various permutations offered a language that could be appropriated, consciously or not, by racists in a powerful and obsessively reiterated evocation of terror, disgust, and alienation. But he shows that the gothic itself also evolved in the context of the brutal progress of European nationalism and imperialism, and absorbed much from them. This book explores both the gothicization of race and the racialization of the gothic as inseparable processes.
Banditry in West Java
Banditry was rife around Batavia (modern Jakarta) during the late colonial period, with at least one major robbery committed every day. Banditry in West Java identifies the bandits and describes their working methods and their motives, which often went beyond simple self-enrichment. It also explores the world of the robbers' victims, city-dwellers for whom the robbers were the antithesis of civilization, convenient objects onto which respectable citizens projected their own preoccupations with sex, violence, and magic. The colonial police force in the Dutch East Indies was reformed in the early 1920s, and banditry was subsequently brought under control. However, the bandit tradition lived on...
International Publishing in the Netherlands, 1933-1945
International publishing in the Netherlands had a glorious tradition in the seventeenth and eighteenth centuries. A remarkable revival took place after 1933, when several Dutch publishers began to issue books written by exiles of the Nazi regime in the German language. The decline of German scholarly and scientific publishing during the same time inspired a number of other Dutch publishers to expand their programs or start new ones. As the English language became more prominent internationally, enterprising Dutch publishers began to explore these markets as well. After the Germans invaded the Netherlands, a number of printers began to produce finely printed books and pamphlets in many languages clandestinely, as an act of defiance or to raise money for underground causes. This book documents these trends and events in the form of a series of bio-bibliographical portraits of the major participating publishers.
Censorship of Political Caricature in Nineteenth-century France
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
