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Where I Dry the Flowers
If Ollie Schminkey’s Dead Dad Jokes asks the question, "What was it like to watch my father die?", Where I Dry the Flowers asks "How did watching someone die teach me how to live?" This unrestrained and raw sophomore collection explores themes of grief, healing, and forgiveness while refusing to sacrifice the hard truths that come with addiction, care taking, and the death of a loved one. Ollie opens their heart to readers and tells them that these emotions are okay, no matter how conflicting and confusing they may be.
Not a Lot of Reasons to Sing, But Enough
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part "Letters to a Young Poet"-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -"Letters to a Young Poet" -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
The Voice Over
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together...
The Future
2018 Goodreads Choice Awards - Best Poetry Book Finalist Filled with nostalgia, love, heartbreak, and the author's signature wry examinations of mental health, Neil Hilborn's second book helps explain what lives inside us, what we struggle to define. Written on the road over two years of touring, The Future is rugged, genuine, and relatable. Grabbing attention like gravity, Hilborn reminds readers that no matter how far away we get, we eventually all drift back together. These poems are fireworks for the numb. In the author's own words, The Future is a blue sky and a full tank of gas, and in it, we are alive.
RENDANG
WINNER OF THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION SHORTLISTED FOR THE T.S. ELIOT PRIZE FOR POETRY 2020 A startlingly radical and surreal poetic journey, RENDANG takes the reader from West Sumatra to Planet Mongo via Gray's Inn Road, alighting on Indonesian artefacts, gentrification, and citizenry. RENDANG is an urgent comment on what it means to be a person now, a dissection of and love letter to the histories, places, and things that make us. Through adept and complex language play, a ludic voice, and a masterful command of form, Will Harris creates a poetry that charts the ambivalences, difficulties, and voices of our contemporary landscape.
Date & Time
2018 Foreword Reviews INDIES Book of the Year Honorable Mention Winner Phil Kaye's debut collection is a stunning tribute to growing up, and all of the challenges and celebrations of the passing of time, as jagged as it may be. Kaye takes the reader on a journey from a complex but iridescent childhood, drawing them into adolescence, and finally on to adulthood. There are first kisses, lost friendships, hair blowing in the wind while driving the vastness of an empty road, and the author positioned in the middle, trying to make sense of it all. Readers will find joy and vulnerability, in equal measure. Date & Time is a welcoming story, which freezes the calendar and allows us all to live in our best moments.
Fat Girl Finishing School
Rachel Wiley, an author who holds many intersecting identities has written Fat Girl Finishing School as a love letter to her living body. When confronted with fatphobia, racism, misogyny, and shame each poem chooses self love, despite society's expectations of conformity. More than just a book about one single identity Fat Girl Finishing School makes intersectionality dimensional. This is a book steeped in experience, every story is striking, powerful, and unmistakably palpable.
Nothing Is Okay
2019 Ohioana Book Award - Readers' Choice Winner Nothing is Okay is the second full-length poetry collection by Rachel Wiley, whose work simultaneously deconstructs the lies that we were taught about our bodies and our beings, and builds new ways of viewing ourselves. As she delves into queerness, feminism, fatness, dating, and race, Wiley molds these topics into a punching critique of culture and a celebration of self. A fat positive activist, Wiley's work soars and challenges the bounds of bodies and hearts, and the ways we carry them.
The Almond in the Apricot
Emma had the perfect trifecta: a long-term job as an engineer designing sewers; a steady relationship with her reliable boyfriend; and an adoring and creative best friend (about whom she wasn’t quite ready to admit her unrequited feelings). Then early one morning, a phone call changed her world forever. Now she’s having nightmares that threaten to disrupt the space-time continuum –– nightmares of hiding from bombs in basements, of glass shattering from nearby explosions. But these disturbing dreams, in which she inhabits the body of a young girl named Lily, seem all too real, and Emma’s waking life begins to be affected by the events that transpire in this mysterious wartime landscape. Convinced she has been given a chance to save a life, Emma tries to rescue Lily from heartache, but ultimately it is through Lily that Emma finds her way back. The Almond in the Apricot navigates connections formed across space and time and explores love, grief, and the possibility that the universe might be bigger than either Emma or Lily ever imagined.
Dead Dad Jokes
2022 Midwest Book Awards- Debut Poetry Finalist 2022 Eric Hoffer Awards - Da Vinci Eye Finalist 2022 Eric Hoffer Awards - Grand Prize Short List 2022 Eric Hoffer Awards - Poetry Honorable Mention 2019 Button Poetry Video Contest Winner Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey's debut. Every page is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the reader slip into the easy sadness of cliche - instead they guide us through the realities and contradictions of losing someone you love and of death - reminding us that they need not be one and the same.
