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Interwoven Globe
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
A Journey Into the World of the Ottomans
"Orientalist painter Jean- Baptiste Vanmour may be the subject of the book, but its value lies in the context Olga Nefedova builds around him. Her point about Vanmour is straightforward: this Flemish artist, who worked for French and other ambassadorial missions in Istanbul, set the tone for how subsequent European painters portrayed Turkey. To drive this point home, she provides an extensively illustrated survey of European representations of “the Orient,” from European Renaissance paintings to contemporary works. She also surveys the subgenre of works by artists attached to European diplomatic missions in Turkey. As a result, she brings nuance to “Orientalist painting,” a category that has too often been seen solely through the lens of colonial-power dynamics at the expense of recognizing the individuality of creative expression." -- Review from AramcoWorld.
A Journey Into the World of the Ottomans
On the occasion of Doha being a cultural capital of the Middle East in 2010 and Istanbul being a cultural capital of Europe, Doha Orientalist museum is holding a symbolic exhibition A Journey into the World of the Ottomans, accompanied by a catalogue. Major part of the illustrated exhibition artworks are to come from the Orientalist museum own collection, the Rijksmuseum, as well as other major collections. The exhibition will bring together artists from the sixteenth century onwards, including Bernardino Campi, Jacopo Ligozzi, Nicolas Rycks, Jean-Baptiste Vanmour, Jean-Étienne Liotard, Antoine Ignace Melling, Francesco Hayez, John Frederick Lewis, Walter Gould, Alberto Pasini, Germain Fabius Brest, Oskar Kokoschka, Nikolai Kalmikoff, Vanessa Hodgkinson and Bas Princen. The artworks selected are to illustrate the history of the orientalism development from the sixteenth to twenty first century, which throughout the years shaped the image of the Ottoman world in Europe, covering different genres of orientalist art.
The Night Watchman
Striking illustrations and a suspenseful story: The Night Watchman is an attention-grabber that captures the imagination.
Creativity 37
This thirty-seventh edition in the Creativity series displays the best and brightest in advertising and design work from creative professionals around the world. Creativity 37, which features more than 1,000 color photographs and illustrations, covers dozens of categories in both the consumer and trade markets, including advertisements, posters, billboards, brochures, catalogs, calendars, promotional items, corporate identity manuals, magazine covers, web sites, and much more. Creative professionals looking for inspiration or anyone with an interest in quality graphic design, will find Creativity 37 an invaluable resource.
Creativity 36
This thirty-sixth edition in the Creativity series displays the best and brightest in advertising and design work from creative professionals around the world. Creativity 36, which features more than 1,000 color photographs and illustrations, covers dozens of categories in both the consumer and trade markets, including advertisements, posters, billboards, brochures, catalogs, calendars, promotional items, corporate identity manuals, magazine covers, web sites, and much more. Creative professionals looking for inspiration, or anyone with an interest in quality graphic design, will find Creativity 36 an invaluable resource.
The Istanbul Divanyolu
Die Reihe Beiruter Texte und Studien (BTS) ist die Buchreihe des Orient-Instituts fur Grundlagenforschung des historischen und zeitgenossischen Mittleren Ostens. Sie stellt Studien bereit, die auf Primarquellen in Sprachen der Region basieren und bietet thematische sowie methodische Impulse. Dieser Band untersucht "The Istanbul Divanyolu - a case study in Ottoman urbanity and architecture".
A Journey Into the World of the Ottomans
Orientalism can be defined as a historical and cultural event, which has been uniting various aspects of cultural life for a number of centuries--literature, fine art, architecture, music and philosophy. A "vision" of the East--positive or negative--based on imagination or historic facts, it has generated an exotic image in our consciousness, which has its own right to existence. At a crucial and timely moment in the history of relations between the West and Islam, this book provides the context and essential background to understanding this part of the world and the intense debate on this theme. The art-biographer of the XVIII-century Ottoman Empire Franco-Flemish artist Jean Baptiste Vanmour (1671-1737) left a very important legacy--pictorial evidences which can be considered as historical illustrations of all the aspects of XVIII-century Ottoman life: from diplomatic ceremonies in the Ottoman court to everyday events of Istanbul multinational society. It will be of strong interest to scholars of Middle East studies, anthropology, history, cultural studies, post-colonial studies, and literary studies.
Marie Antoinette
Marie-Antoinette is one of the most fascinating and controversial figures in all of French history. This volume explores the many struggles by various individuals and groups to put right Marie's identity, and it simultaneously links these struggles to larger destabilizations in social, political and gender systems in France. Looking at how Marie was represented in politics, art, literature and journalism, the contributors to this volume reveal how crucial political and cultural contexts were enacted "on the body of the queen" and on the complex identity of Marie. Taken together, these essays suggest that it is precisely because she came to represent the contradictions in the social, political and gender systems of her era, that Marie remains such an important historical figure.
