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El Grupo de Investigaciones en Derecho Procesal de la Universidad de Medellín presenta a la comunidad académica el libro Nuevas dinámicas del derecho procesal. Este libro muestra la evolución y desarrollo contemporáneo del derecho procesal en el ámbito nacional e internacional. En este sentido aborda las siguientes temáticas: el derecho procesal y la cuarta revolución industrial (inteligencia artificial y biotecnología); problemáticas de los mecanismos alternativos de solución de confictos (mediación penal, principio de oralidad y resolución de disputas en línea [ODR]); el derecho procesal de cara a los objetivos de desarrollo sostenible (el medio ambiente como víctima del con...
Este libro está dividido en dos partes temáticas. La primera aborda las discusiones más recientes en torno a los debates contemporáneos del derecho. Se tocan temas relacionados con el derecho laboral —derechos laborales y de trabajadoras sexuales—; el derecho privado —adoctrinamiento religioso—, la teoría y filosofía del derecho —democracia, Estado de derecho y responsabilidades del legislador—; y la relación del derecho con la educación en torno a la paz y el respeto a la diversidad. La segunda parte está dedicada al derecho y las luchas sociales: las políticas de seguridad privada y el monopolio de la violencia legítima en las zonas afectadas por el conflicto armando...
Esta obra tiene como objetivo presentar un panorama integral y abarcador sobre el estado de la protección jurídico-política de los animales en Colombia. El Estado colombiano atraviesa por un periodo de transformación institucional y sociojurídica. El otrora difundido modelo de relación entre el ordenamiento jurídico y los animales como cosas o simples elementos del medio ambiente está siendo reevaluado y surge así todo un conjunto de problemáticas que han de ser abordadas a partir de nuevos enfoques y perspectivas. Este libro se centra en temas como el de delitos y contravenciones, el uso de animales para el consumo humano, la investigación y experimentación con animales, el uso de animales con fines securitarios, el desarrollo de políticas públicas y su interrelación con movimientos de la sociedad civil, primero desde un plano analítico y después contextualizado en distintas ciudades de Colombia.
The laws of war and Colombia
In the late '60s, Julián Ríos began work on what would have been his very first novel, but fearing that it wouldn't pass the stringent Spanish censorship under Franco, decided not to submit the completed book to publishers. Soon distracted by what would be his magnum opus—the Larva series—the manuscript was set aside and forgotten, until the author found and dusted it off almost fifty years later. Quite unlike his later postmodernist work, the short and bitter Procession of Shadows is filled with stories of love, war, and vengeance, focusing on the tiny, remote village of Tamoga—a place where vendettas are passed down from generation to generation, and where violence has left its traces in every corner. A Winesburg, Ohio for the end times, Procession of Shadows shows us a very different side of the usually playful Ríos: dark, direct, and pitiless.
A striking reassessment of the Don Juan myth. A literary tour de force, this extraordinary novel is told in single-minded pursuit of double meanings, but it is serious play. Larva is a rollicking account of a masquerade party in an abandoned mansion in London. Milalias (disguised as Don Juan) searches for Babelle (as Sleeping Beauty) through a linguistic funhouse of puns and wordplay recalling Joyce's Finnegans Wake. A mock-scholarly commentary reveals the backgrounds of the masked revellers, while Rios' allusive language shows that words too wear masks, hiding an astonishing range of further meanings and implications. Larva revives a Hispanic tradition repressed for centuries by introducing the English tradition of puns, palindromes and acrostics (a word puzzle in which certain letters in each line form a word or words) and establishes Rios as the most accomplished successor (in any language) to Joyce.
Winner of the Montserrat Ordóñez Prize 2018 This book provides an original and exciting analysis of Colombian women’s writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country’s history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.
Juli'n R'os's latest comic extravaganza is at once a serious literary excavation and a lecture as delivered by Groucho Marx on the subject of that great (and often imposing) cornerstone of world literature: James Joyce's "Ulysses." Every book is born out of an earlier book (or books), and much as Joyce's novel unraveled Homer scene by scene, R'os's "The House of Ulysses" returns the favor, giving us the story of several bickering characters hoping to get to the bottom of Joyce's masterpiece (by force, if necessary), their conversation walking the line between a slapstick parody of the Joyce industry and a legitimate "guide for the perplexed." Focusing on each of Ulysses' characters, ideas, and references in turn, "The House of Ulysses" provides a playful, punning, ideal companion for the experienced Joycean and cautious Ulysses-procrastinator alike: one novel dreaming its way through another.