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THE STORY: Bradley Yamashita is one of the new breed of Asian-American actors. Highly political and outspoken, he will only take on acting roles that are dignified and unstereotypic. He has recently starred in a small independent film that is the d
What if you could dream up any building you like? What would it be? How would constructing it change our lives? A shopping mall self-destructs, and a single mother vanishes. A tree house for orphans and old folks is torn apart by an act of mercy. The Singapore Flyer is reinvented as a political prison. In this collection of nine tales, Clara Chow examines an alternative Singaporean landscape—one that exists only on paper—and the people we might be in it. A former newspaper correspondent, she interviews nine architects about chimeric structures and sets short stories in them. A hybrid of journalism and fiction, Dream Storeys documents the voices of urban visionaries, while taking their id...
Architecture and Affect is motivated by two questions: Why does dismissed affective evidence trouble us? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground—jammed amidst life, things and events. Rather than being aloof from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture’s uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicized architectural discourse simultaneously grounded and speculative; bridging depth and intuition, thinking and feeling.
In this edition, 53 contributors reflect on “The Roads We Take” – the paths they have chosen to take in their lives. More than just personal stories, these essays highlight the importance of resilience and the evolution of the political and social landscape in Singapore. The book compels readers to think of the complexity of the future roads we must take, as individuals, as a nation – because in sunny Singapore, no one road stays forever.
Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt env...
CITY, PEOPLE and ARCHITECTURE No matter hom impressive or iconic building or tall skyscraperis upon the skyline of a city, these buildings are concieved with people as their users. Yet the question is, for which layer of citizenship do they serve ? Have the stakeholder of the built environment give adequte attention towards the lives of those in between the cities’ sprawl of structures ? The topic of Archinesia vol.10 is “City, People and Architecture”, in which we try to reassess the position of architectural projects apart from being iconic attractors in the cityscapes. We ought to examine the role of architects in the ever-crucial process of creation within an increasingly populous ...
As nation-states in the Northern Hemisphere experience economic crisis, political corruption and racial tension, it seems as though they might be 'evolving' into the kind of societies normally associated with the 'Global South'. Anthropologists Jean and John Comaroff draw on their long experience of living in Africa to address a range of familiar themes - democracy, national borders, labour and capital and multiculturalism. They consider how we might understand these issues by using theory developed in the Global South. Challenging our ideas about 'developed' and 'developing' nations, Theory from the South provides new insights into key problems of our time.
The writers and designers in this collection are among the most thoughtful architects, artists, landscape architects, and theorists working today. The editors organized these essays and works of art and design around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. Ambiguous Territory emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College...
FUTURE OF THE PAST The historical events in the early centuries of the Srivijaya kingdom that ruled over Malay Archipelago and the arrival of colonising nations afterwards are examples of the region’s interlinked past. It forged a historic root for cooperation within the countries in the region now under ASEAN. Consideration about the region’s past record is what strongly tugged our editorial team’s thoughts. History—or we could say the “past”—inevitably constructs the present and, consequently, our future. As we asked some of the people in the architectural practice regarding the role of the past , many hold that the past is an important aspect that we could learn from to live...
The term fake suggests forgery but also imitation and reproduction - all processes familiar to contemporary cultural production and everyday life. Fakes in the art world have been the subject of research and publications, while fake buildings and spaces have received less attention in contemporary discourse. This book represents a series of snapshots of the space between fake and real, an exploration that quickly leads to the two attributes being entangled in contemporary attempts to generate genuine authenticity by replicating nostalgic details and superficial references.