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Holocaust Icons
The Holocaust has bequeathed to contemporary society a cultural lexicon of intensely powerful symbols, a vocabulary of remembrance that we draw on to comprehend the otherwise incomprehensible horror of the Shoah. Engagingly written and illustrated with more than forty black-and-white images, Holocaust Icons probes the history and memory of four of these symbolic relics left in the Holocaust’s wake. Jewish studies scholar Oren Stier offers in this volume new insight into symbols and the symbol-making process, as he traces the lives and afterlives of certain remnants of the Holocaust and their ongoing impact. Stier focuses in particular on four icons: the railway cars that carried Jews to th...
Committed to Memory
How is contemporary public consciousness of the Holocaust shaped and communicated? How is commitment to its memory expressed and engendered? This text offers a close and critical analysis of a range of cultural activities that mediate the Holocaust for a public increasingly distant from the events of World War II. Oren Baruch Stier argues that the manner in which those events are committed to memory, coupled with the fervent dedication to memory exhibited by many people and institutions, produces distinct memorial mediations of the Shoah.
Religion, Violence, Memory, and Place
Scholars from a variety of disciplines explore the intersections of violence, memory, and sacred space
Holocaust Memory in the Digital Age
Holocaust Memory in the Digital Age explores the nexus of new media and memory practices, raising questions about how advances in digital technologies continue to influence the nature of Holocaust memorialization. Through an in-depth study of the largest and most widely available collection of videotaped interviews with survivors and other witnesses to the Holocaust, the University of Southern California Shoah Foundation's Visual History Archive, Jeffrey Shandler weighs the possibilities and challenges brought about by digital forms of public memory. The Visual History Archive's holdings are extensive—over 100,000 hours of video, including interviews with over 50,000 individuals—and came...
Judenmord
Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust.
Geographies of the Holocaust
“[A] pioneering work . . . Shed[s] light on the historic events surrounding the Holocaust from place, space, and environment-oriented perspectives.” —Rudi Hartmann, PhD, Geography and Environmental Sciences, University of Colorado This book explores the geographies of the Holocaust at every scale of human experience, from the European continent to the experiences of individual human bodies. Built on six innovative case studies, it brings together historians and geographers to interrogate the places and spaces of the genocide. The cases encompass the landscapes of particular places (the killing zones in the East, deportations from sites in Italy, the camps of Auschwitz, the ghettos of B...
Buried by the Times
Publisher Description
Taking Stock
Taking Stock is a collection of lively, original essays that explore the cultures of enumeration that permeate contemporary and modern Jewish life. Speaking to the profound cultural investment in quantified forms of knowledge and representation—whether discussing the Holocaust or counting the numbers of Israeli and American Jews—these essays reveal a social life of Jewish numbers. As they trace the uses of numerical frameworks, they portray how Jews define, negotiate, and enact matters of Jewish collectivity. The contributors offer productive perspectives into ubiquitous yet often overlooked aspects of the modern Jewish experience.
American Jewish Loss after the Holocaust
Many of us belong to communities that have been scarred by terrible calamities. And many of us come from families that have suffered grievous losses. How we reflect on these legacies of loss and the ways they inform each other are the questions Laura Levitt takes up in this provocative and passionate book. An American Jew whose family was not directly affected by the Holocaust, Levitt grapples with the challenges of contending with ordinary Jewish loss. She suggests that although the memory of the Holocaust may seem to overshadow all other kinds of loss for American Jews, it can also open up possibilities for engaging these more personal and everyday legacies. Weaving in discussions of her own family stories and writing in a manner that is both deeply personal and erudite, Levitt shows what happens when public and private losses are seen next to each other, and what happens when difficult works of art or commemoration, such as museum exhibits or films, are seen alongside ordinary family stories about more intimate losses. In so doing she illuminates how through these “ordinary stories” we may create an alternative model for confronting Holocaust memory in Jewish culture.
Abstraction and the Holocaust
Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.
