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When Orhan’s brilliant and eccentric grandfather Kemal is found dead, Orhan inherits the decades-old business. But Kemal has left the family estate to a stranger thousands of miles away. Intent on righting this wrong, Orhan unearths a story of the Armenian Genocide that, if told, has the power to undo the legacy upon which Orhan’s family is built.
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a masterful theory of the novel. Drawing on Friedrich Schiller’s famous distinction between ‘naïve’ writers—those who write spontaneously—and ‘sentimental’ writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word. He takes us through his own literary journey and looks at the works of writers such as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul to describe the singular experience of reading. Unique, nuanced, and passionate, this book will be beloved by readers and writers alike.
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive essay by one of the modern masters of the art. In this inspired, thoughtful, deeply personal essay, from his Charles Eliot Norton lecture series collected as The Naive and the Sentimental Novelist, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections. 'He writes with an effortless authority, and deeply literate sophistications.' Peter Craven, The Age
In the winter of 2011 Nobel-Prize-winning Turkish novelist Orhan Pamuk took 8,500 color photographs from his balcony with its panoramic view of Istanbul, the entrance of the Bosphorus, the old town, the Asian and European sides of the city, the surrounding hills, and the distant islands and mountains. Sometimes he would leave his writing desk and follow the movements of the boats as they passed in front of his apartment and sailed far away. As Pamuk obsessively created these images he felt his desire to do so was related to a strange particular mood he was experiencing. He photographed further and began to think about what was happening to himself: Why was he taking these photos? How are seeing and photography related? What is the affinity between writing and seeing? Why do we enjoy looking at landscapes and landscape photographs? Balkon presents almost 500 of these photos selected by Pamuk, who has also co-designed the book and written its introduction. 'There is genius in Pamuk's madness.' -Umberto Eco
When Orhan Pamuk won the Nobel Prize for Literature in 2006, he was honored as a builder of bridges across a dangerous chasm. By rendering his Turkish characters and settings familiar where they would otherwise seem troublingly foreign, and by speaking freely against his authoritarian state, he demonstrated a variety of literary greatness that testified also to the good literature can do in the world. Gloria Fisk challenges this standard for canonization as “world literature” by showing how poorly it applies to Pamuk. Reading the Turkish novelist as a case study in the ways Western readers expand their reach, Fisk traces the terms of his engagement with a literary market dominated by the...
A magnificent love story and powerful tale of religious fanaticism, from the internationally bestselling Nobel laureate. ** PRE-ORDER THE NEW NOVEL FROM ORHAN PAMUK, NIGHTS OF PLAGUE ** Winner of the Nobel Prize for Literature 'Not only an engrossing feat of tale-spinning, but essential reading for our times.' Margaret Atwood, The New York Times 'A major work. . . with suspense at every dimpled vortex' John Updike, The New Yorker 'Powerful. . . astonishingly timely' Vogue 'Orhan Pamuk is the sort of writer for whom the Nobel Prize was invented.' Daily Telegraph An exiled poet returns to the remote city of Kars on the Turkish border to investigate troubling reports of a suicide epidemic among its young women. While there, he reconnects with the beautiful Ipek, and finds himself drawn irresistibly back into their love story. But Kars has become a touchpoint for religious and political violence and religious extremists are poised to win the local elections. As the snow falls and suspicion mounts, the stage is set for a terrible and desperate act . . .
PREFACE Neither our old nest, our shanty house, nor the piece of the picture I drew in the cellar is left. Years take everything away from a person. This is me, who engraved a memory inside me. It is something that neither years nor anything else can remove. As you grow, your memories grow with you, take shape, become more valuable as you grow, and in the end you cannot hold it in your hand. While you think it is just a simple scribble, it becomes the center of your life, in the middle of your chest, everything valuable is deep inside you. Love is a deep pain that no one can name. There are those that are lost in silence as much as those that are written and drawn. The socks I always pull up...
NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES • THE FINANCIAL TIMES • THE NEW YORKER A new book by the winner of the Nobel Prize in Literature. Part detective story, part historical epic—a bold and brilliant novel that imagines a plague ravaging a fictional island in the Ottoman Empire. It is April 1900, in the Levant, on the imaginary island of Mingeria—the twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca, or by merchant vessels coming f...
Language acquisition is a human endeavor par excellence. As children, all human beings learn to understand and speak at least one language: their mother tongue. It is a process that seems to take place without any obvious effort. Second language learning, particularly among adults, causes more difficulty. The purpose of this series is to compile a collection of high-quality monographs on language acquisition. The series serves the needs of everyone who wants to know more about the problem of language acquisition in general and/or about language acquisition in specific contexts.
Istanbul, through the mind of its most celebrated writer ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'A declaration of love.' Sunday Times 'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist 'An irresistibly seductive book' Jan Morris, Guardian In a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years. What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's gr...