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In 1975, after much resistance, Portugal became the last colonial power to relinquish its colonies on the African continent. The tardiness of Portuguese decolonization in Africa (Cabo Verde, Angola, Mozambique, Guinea Bissau, São Tomé e Príncipe) raises critical questions for the emergence of national literary and cultural production in the wake of national independence. Bringing together the works of poets, short story writers, and journalists, this book charts the emergence and evolution of the national literatures of Portugal’s former African colonies, from 1975 to the present. The aim of this book is to examine the ways in which writers contended with the process of decolonization, forging national, transnational, and diasporic identities through literature while grappling with the legacies and continuities of racial power structures, colonial systems of representation, and the struggles for political sovereignty and social justice. This book will be the first of its kind in English to include canonical, emerging, and previously untranslated authors of poetry and short-form fiction to a new public.
Cabo Verde is a group of ten islands located off the western coast of Africa in the Atlantic Ocean. The country has a total population of approximately 500,000 people and the official language is Portuguese. The islands were uninhabited until 1460, when they were discovered by Portuguese sailors. The country gained independence from Portugal in 1975 and has since become a stable democracy. The economy of Cabo Verde is heavily reliant on tourism and service industries. The country is known for its beautiful beaches and rich cultural heritage. The music of Cabo Verde, known as morna, has gained international recognition and has been popularized by musicians such as Cesaria Evora. In recent years, the country has made significant strides in social and economic development, with improvements in healthcare and education. Cabo Verde is also known for its commitment to renewable energy, with plans to generate 100% of its electricity from renewable sources by 2025.
A selection of newly translated short stories centred on Lisbon represent the literary heritage and culture of this diverse and extraordinary city. From famous names to new voices, Lisbon Tales describes a city in continuous and vibrant change.
Scholars have been curious about the development of arts & letters in Africa since the last European colonies on that continent attained independence in 1975. On Cape Verde, the Portuguese entered into close relations with Black Africa, represented by enslaved men, women & children it carried there from the nearest mainland. From the mid-19th century on, works of fiction & poetry were written in Cape Verde, but this lit. remained a regional or colonial variant of the lit. of Portugal. The foundations of a national lit. were laid between 1935 & 1960, with a group of intellectuals gathered around the poet Jorge Barbosa. In Nov. 1986 an internat. congress of writers & scholars was held to celebrate the 50th anniversary of their journal ¿Claridade.¿ Map.
African literatures, says volume editor Oyekan Owomoyela, "testify to the great and continuing impact of the colonizing project on the African universe." African writers must struggle constantly to define for themselves and other just what "Africa" is and who they are in a continent constructed as a geographic and cultural entity largely by Europeans. This study reflects the legacy of colonialism by devoting nine of its thirteen chapters to literature in "Europhone" languages—English, French, and Portuguese. Foremost among the Anglophone writers discussed are Nigerians Amos Tutuola, Chinua Achebe, and Wole Soyinka. Writers from East Africa are also represented, as are those from South Afri...
African women’s history is a vast topic that embraces a wide variety of societies in over 50 countries with different geographies, social customs, religions, and historical situations. Africa is a predominantly agricultural continent, and a major factor in African agriculture is the central role of women as farmers. It is estimated that between 65 and 80 percent of African women are engaged in cultivating food for their families, and in the past that percentage was likely even higher. Thus, one common thread across much of the continent is women’s daily work in their family plot. This second edition of Historical Dictionary of Women in Sub-Saharan Africa contains a chronology, an introdu...
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