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Oscar van Alphen
  • Language: nl
  • Pages: 16

Oscar van Alphen

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

None

Oscar van Alphen
  • Language: en
  • Pages: 248

Oscar van Alphen

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

None

Beyond ethics and aesthetics
  • Language: en
  • Pages: 510

Beyond ethics and aesthetics

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

Met bijdragen van: Oscar van Alphen, Ute Meta Bauer & Yvonne P. Doderer, Marianne Brouwer, Martin Lucas, Adrian Piper, Simon Critchley, Helmut Draxler, Jean Fisher, Avital Geva, Tijs Goldschmidt, Roy Villevoye, Multiple Autorenschaft, Jouke Kleerebezem, Viktor Misiano, Everlyn Nicodemus, fordacity, Sadie Plant, Martha Rosler, Rob Schröder, Jorinde Seijdel, Barbara Steiner, Rirkrit Tiravanija, Krzysztof Wodiczko, Ross Sinclair en de samenstellers van deze bundel beschouwingen.

Photography and Literature
  • Language: en
  • Pages: 330

Photography and Literature

Photography and Literature : An International Bibliography of Monographs covers the period 1839-1991. It is arranged alphabetically by author / photographer, with numerous cross references to editors, compilers, illustrators, translators, etc. It lists some 3,900 titles in about twenty languages, and includes books, exhibition catalogues, dissertations, and special issues of magazines ...

Dick Raaymakers
  • Language: en
  • Pages: 454

Dick Raaymakers

  • Categories: Art

As a multimedia artist, Dick Raaymakers (born 1930) embraces a diversity of genres and styles, from sound animations for films to "action music," never-ending vocal textures, electro-acoustic tableaux vivants and music theatre works. Raaijmakers dovetails disciplines such as the visual arts, film, literature and theatre with the universe of music.

Kunst & Museumjournaal
  • Language: en
  • Pages: 256

Kunst & Museumjournaal

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

None

Face Politics
  • Language: en
  • Pages: 230

Face Politics

  • Type: Book
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  • Published: 2015-04-10
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  • Publisher: Routledge

The face is central to contemporary politics. In Deleuze and Guattari’s work on faciality we find an assertion that the face is a particular politics, and dismantling the face is also a politics. This book explores the politics of such diverse issues as images and faces in photographs and portraits; expressive faces; psychology and neuroscience; face recognition; face blindness; facial injury, disfigurement and face transplants through questions such as: What it might mean to dismantle the face, and what politics this might entail, in practical terms? What sort of a politics is it? Is it already taking place? Is it a politics that is to be desired, a better politics, a progressive politics...

Index of Patents Issued from the United States Patent Office
  • Language: en
  • Pages: 1544

Index of Patents Issued from the United States Patent Office

  • Type: Book
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  • Published: 1965
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  • Publisher: Unknown

None

Artbibliographies Modern
  • Language: en
  • Pages: 826

Artbibliographies Modern

  • Categories: Art
  • Type: Book
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  • Published: 1996
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  • Publisher: Unknown

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.

Jan Van Toorn
  • Language: en
  • Pages: 240

Jan Van Toorn

Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wants the public to measure the motives of both the client and the designer who mediates the client's message against their own experiences of the world. He hoped in this way to stimulate a more active and skeptical view of art, communication, media ownership and society. Projects such as Van Toorn's posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design's role in shaping contemporary reality.