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Juan Felipe Herrera
This book is a wide-ranging collection of critical approaches on the highly accomplished poet Juan Felipe Herrera, who transcends ethnic and mainstream poetics. The chapters in this book expertly demonstrate the author's versatility, resourcefulness, innovations, and infinite creativity.
The Serpent's Plumes
The Serpent's Plumes analyzes contemporary Nahua cultural production, principally bilingual Nahuatl-Spanish xochitlajtoli, or "poetry," written from the 1980s to the present. Adam W. Coon draws on Nahua perspectives as a decolonizing theoretical framework to argue that Nahua writers deploy unique worldviews—namely, ixtlamatilistli ("knowledge with the face," which highlights the value of personal experiences); yoltlajlamikilistli ("knowledge with the heart," which underscores the importance of affective intelligence); and tlaixpan ("that which is in front," which presents the past as lying ahead of a subject rather than behind). The views of ixtlamatilistli, yoltlajlamikilistli, and tlaixpan are key in Nahua struggles and effectively challenge those who attempt to marginalize Native knowledge production.
When I Wear My Alligator Boots
"This book tells the story of the poor, often indigenous workers living in the borderlands who are recruited to work in the lowest echelons of the drug trade, as burreros (mules) and narcotraficantes (traffickers). Shayleh Muehlmann spent over a year researching in a small community in the borderlands. This book brings her stories to a wider public, narrating the experiences of a group of indigenous fishermen in northern Mexico who have become involved in the drug trade, and exploring how the narco-economy has provided a reprieve for men and women attempting to survive while their primary form of livelihood, fishing, has been criminalized by the state because of its alleged negative environm...
Literary Slumming
Literary Slumming: Slang and Class in Nineteenth-Century France applies a sociolinguistic approach to the representation of slang in French literature and dictionaries to reveal the ways in which upper-class writers, lexicographers, literary critics, and bourgeois readers participated in a sociolinguistic concept the author refers to as “literary slumming”, or the appropriation of lower-class and criminal language and culture. Through an analysis of spoken and embodied manifestations of the anti-language of slang in the works of Eugène François Vidocq, Honoré de Balzac, Eugène Sue, Victor Hugo, the Goncourt Brothers, and Émile Zola, Literary Slumming argues that the nineteenth-century French literary discourse on slang led to the emergence of this sociolinguistic phenomenon that prioritized lower-class and criminal life and culture in a way that ultimately expanded class boundaries and increased visibility and agency for minorities within the public sphere.
A Return to Servitude
As a free trade zone and Latin America's most popular destination, Cancún, Mexico, is more than just a tourist town. It is not only actively involved in the production of transnational capital but also forms an integral part of the state's modernization plan for rural, indigenous communities. Indeed, Maya migrants make up over a third of the city's population. A Return to Servitude is an ethnography of Maya migration within Mexico that analyzes the foundational role indigenous peoples play in the development of the modern nation-state. Focusing on tourism in the Yucatán Peninsula, M. Bianet Ca.
War Without Quarter
The laws of war and Colombia
Registro nacional
None
Autobiografía de Un Esclavo
The proceedings of ISCV'95, the successor to previous Workshops on Computer Vision, comprise 104 refereed papers on topics in optical flow, matching/stereo, motion, object recognition, low-level vision, CAD-based vision, stereo, deformable models, systems and applications, tracking, segmentation and grouping, active vision, aerial image analysis, and integration/texture. No index. Annotation copyright by Book News, Inc., Portland, OR
AmeRÕcan
In Tato LavieraÍs third collection, poems celebrate the array of stripes and colors making up the American people. In the beginning section, ñEthnic Tributes,î Laviera crafts poems with titles like, ñarab,î ñblack,î ñchinese,î ñgreek,î ñjamaican,î ñspanish,î and ñmundo-world.î In ñboricua,î he fashions a timely plea for an end to prejudice, saying that for Puerto Ricans ñ. . . color is generally color-blind/with us, thatÍs our contribution, all/ the colors are tied/to our one.î The latter two sections of the collection, ñValuesî and ñPoliticsî build on the themes of ethnic exchange and the place of the boriqueÐo in that greater scheme. In ñcommonwealth,î Laviera ...
