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A History of Poetics
Since the 1990s, following the end of postmodernism, literary theory has lost much of its dynamics. This book aims at revitalising literary theory exploring two of its historical bases: German poetics and aesthetics. Beginning in the 1770s and ending in the 1950s, the book examines nearly 200 years of this history, thereby providing the reader with a first history of poetics as well as with bibliographies of the subject. Particular attention is paid to the aesthetics and poetics of popular philosophy, of the Hegel-school, empirical and psychological tendencies in the field since the 1860s, the first steps towards a plurality of methods (1890-1930), theoretical confrontations during the Nazi-...
Kierkegaard's Journals and Notebooks
Produced by Copenhagen's Soren Kierkegaard Research Centre, this volume, the first of an eleven-volume series, offers an insight into Kierkegaard's inner life. In addition to early drafts of his published works, it also contains his thoughts on events and philosophical and theological matters and ideas for future literary projects.
Narrative and Robert Schumann's Songs
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singe...
Print and Performance in the 1820s
Illuminates Britain's literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.
The Poet as Provocateur
Analyzes the heated critical debate on Heine from his own lifetime to the present. Heinrich Heine (1797-1856), one of the best known and most controversial German writers of the nineteenth century, has been the subject of intense critical debate. Heine's lyric poetry ranks second only to Goethe's in popularity and is known world wide in musical settings. He is also known for his stories and travel sketches, his writings on political, social, and cultural developments in Europe, and for essays on literature, religion, and philosophy. Peters's study records the stormy development of Heine's critical reception from his own time down to the present. As a Jew living in Paris, an outspoken critic ...
The Oxford Handbook of Critical Improvisation Studies
V. 1. Cognitions -- v. 2. Critical theories
Liszt Letters in the Library of Congress
Yet he did and, thankfully, considerable insight may be gained from this as to his relationships, compositional methods - especially with regard to publication of his works - philosophical thoughts, attitudes to literature, to other composers, other artists in different spheres, even, though more rarely, his approach to politics and, equally important, his religious leanings.".
A History of Histories of German Literature
Knowledge of German literature is frequently based on the hundreds of general histories of German literature that have been published since the genre first appeared at the beginning of the nineteenth century. In A History of Histories of German Literature Michael Batts attempts to describe the various forms which these histories took between 1835 and 1914, not only in Germany but in other countries, and show how these forms developed.
