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Latin American Culture and the Limits of the Human
This volume explores works from Latin American literary and visual culture that question what it means to be human and examine the ways humans and nonhumans shape one another. In doing so, it provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman. Contributors identify posthumanist themes across a range of different materials, including an anecdote about a plague of rabbits in Historia de las Indias by Spanish historian Bartolomé de las Casas, photography depicting desert landscapes at the site of Brazil’s War of Canudos, and digital and installation art portraying victims of state-sponsored and drug violence in Colombia an...
Drug Cartels Do Not Exist
What if narco violence and trafficking do not threaten the state, but are actually central to its operations?
The Devil's Drug
With a combination of thorough investigative journalism, daring fieldwork, and colorful atmospheric sketches, Teun Voeten draws a very detailed and disturbing picture of a drug that is on a rapid international rise. Methamphetamine, commonly referred to as crystal meth, is one of the most addictive drugs in the world. Heavy users can destroy themselves in just a few months. Originally given by the Nazis to their troops to fight the blitzkrieg, it has now conquered the whole world and is used at sex parties in Amsterdam and Antwerp, by former hippies in Prague, by the underclass in the slums of Harare, Cape Town, and Peshawar, by truck drivers in Thailand, and by workers in the sweatshops in Bangladesh. Researcher Teun Voeten traveled the globe for two years to investigate all sides of this diabolic drug, exploring the bizarre history and pharmacological effects. He talked to homeless addicts in Tijuana and Los Angeles, cartels in Mexico, international drug experts in Bangkok and Kabul, and more. Voeten also interviewed numerous authorities, judges, and social workers who are trying to stop the meth epidemic.
Border Killers
Border Killers delves into how recent Mexican creators have reported, analyzed, distended, and refracted the increasingly violent world of neoliberal Mexico, especially its versions of masculinity. By looking to the insights of artists, writers, and filmmakers, Elizabeth Villalobos offers a path for making sense and critiquing very real border violence in contemporary Mexico. Villalobos focuses on representations of “border killers” in literature, film, and theater. The author develops a metaphor of “maquilization” to describe the mass-production of masculine violence as a result of neoliberalism. The author demonstrates that the killer is an interchangeable cog in a societal factory...
Drugs, Violence and Latin America
This book undertakes a psychotropic analysis of texts that deal with the violence of drug trafficking and interdiction, especially in Mexico. While most critics of so-called narcoculture have either focused on an aesthetic “sobriety” in these works or discounted them altogether as exploitative and unworthy of serious attention, Drugs, Violence, and Latin America illuminates how such work may reflect and intervene in global networks of intoxication. Theorizing a “dialectics of intoxication” that illustrates how psychotropy may either solidify or destabilize the self and its relationship to the other, it proposes that these tendencies influence human behavior in distinct ways and are leveraged for social control within both licit and illicit economies. A consideration of a countercultural genealogy in Latin America provides a contrastive psychotropic context for contemporary novels that exposes links between narcoviolence and consumerism, challenging our addictions of thought and feeling about ourselves and our relationships to drugs and narco-violence.
Posthuman Worlds
Posthuman Worlds: Roberto Bolaño's Narrative and Virtual Reality presents interpretations of several novels and one short story by Roberto Bolaño. As befits the global setting of most of these narratives, they are analyzed from the perspective of global culture and politics. Particular attention is paid to transnational European politics, as this topic is central to an understanding of the intertwined themes of politics and the law in Bolaño’s work. In Distant Star and “Labyrinth,” these themes exist within the context of a preoccupation with personal identity and ideology. Adolfo Cacheiro utilizes psychoanalytic interpretation and philosophical exegesis to clarify the subjective co...
The Contemporary Spanish-American Novel
The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered—Aira, Bolaño, Castellanos Moya, Vásquez—are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.
Exit Wounds
"Guns are relational: they can be tools of violence or of protection. Bullets injure individuals and communities, creating collective damage. In the United States, gun violence has reached alarming levels, but the effects of firearms sold in this country don't stop at its borders. American guns have torn the social fabric of Mexican society in ways that have entangled the lives of citizens on both sides of the border-Mexicans and Americans-in a vicious circle of violence. While migrants and refugees are fleeing north, seeking safety in the United States, Exit Wounds follows the guns going south, from dealers in Arizona and Texas to crime scenes in Mexico. Through stories of people who live and work with guns on both sides of the border and either side of the law-a businessman who smuggles guns, a girl who becomes a trained assassin, two federal agents who try to stop gun traffickers, a journalist reporting on organized crime-the book grapples with US complicity in violence south of the border and examines the impact of American guns on both countries"--
The Mexican Revolution on the World Stage
Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, an...
Embodied Archive
Disability and racial difference in Mexico's early post-revolutionary period
