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Otohiko Kaga's Marshland is an epic novel on a Tolstoyan scale, running from the pre-World War II period to the turbulence of 1960s Japan. At forty-nine, Atsuo Yukimori is a humble auto mechanic living an almost penitentially quiet life in Tokyo, where his coworkers know something of his military record but nothing of his postwar criminal past. Out of curiosity he accompanies his nephew to a demonstration at a nearby university, and is gradually drawn into a friendship, then a romance, with Wakaka Ikéhata, the brilliant but mentally unstable daughter of a university professor. As some of the student radical groups turn to violence and terrorism, Atsuo and Wakaka find themselves framed for t...
The social history of Japan between the First and Second World Wars is a neglected area of study. The contributors to this volume consider factors such as nationalism, class, gender and race. They also explore the ideas and activities of a number of new social and political groups, such as the urban white collar class (including middle class working women), socialists, industrial workers and emigrants. The book questions the myth of Japanese homogeneity, and gives an emphasis to the diversity, cross-currents and socio-political tensions that characterised the 1920s and 1930s.
Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception. Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply ...
Japanese society is frequently held up to the Western world as a model of harmony and efficiency, but the price it pays tends to be overlooked. In a searching analysis that will fascinate students and admirers of Japan as much as it will inform psychologists and suicidologists, Mamoru Iga discusses the precise nature of the “thorn in the chrysanthemum,” a thorn that may hurt both the Japanese and the outsider who conducts business with them. The author, who was reared and educated in Japan, is uniquely qualified to interpret the value orientations of a society in which suicide is all too common. He finds that the traits leading to homogeneity and extreme adaptability in that society as a...
Spirit Matters is a ground-breaking work, the first to explore a broad range of writings on spirituality in contemporary Japanese literature. It draws on a variety of literary works, from enormously popular fiction (Miura Ayako's HyEten and Shirokari Pass and the novels of Murakami Haruki) to more problematic "serious" fiction (Ee KenzaburE's Somersault) to nonfiction meditations on martyrdom and miracles (Sono Ayako's Kiseki) and the dynamics of religious cults (Murakami's interviews with members of Aum ShinrikyE in Underground). The first half of the volume focuses on the work of two women Christian writers, Miura Ayako and Sono Ayako. Combining a decidedly evangelistic bent with the formu...
Seven castaways await their death on a deserted island that is home to hordes of blind gulls, iguanas, and a poisonous lagoon.
An international array of human rights advocates, scholars, and survivor-writers examine the profound and complex impact of personal testimony about human rights abuses as expressed through autobiography, documentary film, report, oral history, blog, and verbatim theater.
Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo?
An immeasurably influential female voice in post-war Japanese literature, Kono writes with a strange and disorienting beauty: her tales are marked by disquieting scenes, her characters all teetering on the brink of self-destruction. In the famous title story, the protagonist loathes young girls but compulsively buys expensive clothes for little boys so that she can watch them dress and undress. Taeko Kono's detached gaze at these events is transfixing: What are we hunting for? And why? Kono rarely gives the reader straightforward answers, rather reflecting, subverting and examining their expectations, both of what women are capable of, and of the narrative form itself.