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"And how Do You Like this Country?"
Annotation. These stories by Otti Binswanger, the niece of the German aviator Otto Lilienthal, were written in the 1940s in New Zealand, where they were published originally in 1945. Otti Binswanger had come to New Zealand in 1939 as a refugee from Nazi Germany together with her husband Paul Binswanger, a German-Jewish scholar of Romance Languages. These stories constitute an important and highly original contribution not only to New Zealand literature, but also to the corpus of literature by exiles in the 20th century. In her stories Otti Binswanger creates an authentic, sympathetic, and at the same time critical portrait of the country and its people as she encountered them as an immigrant. They are «inside stories with the eye of an outsider written in the clear and matter-of-fact style of the period. The essay by Livia Käthe Wittmann (Christchurch/NZ) gives an introduction to both the stories as well as to the multi-facetted personality and life of Otti Binswanger.
Refugees from Nazi-occupied Europe in British Overseas Territories
Refugees from Nazi-occupied Europe in British Overseas Territories focusses on exiles and forced migrants in British colonies and dominions in Africa or Asia and in Commonwealth countries. The contributions deal with aspects such as legal status and internment, rescue and relief, identity and belonging, the Central European encounter with the colonial and post-colonial world, memories and generations or knowledge transfers and cultural representations in writing, painting, architecture, music and filmmaking. The volume covers refugee destinations and the situation on arrival, reorientation–and very often further migration after the Second World War–in Australia, Canada, India, Kenya, Palestine, Shanghai, Singapore, South Africa and New Zealand. Contributors are: Rony Alfandary, Gerrit-Jan Berendse, Albrecht Dümling, Patrick Farges, Brigitte Mayr, Michael Omasta, Jyoti Sabharwal, Sarah Schwab, Ursula Seeber, Andrea Strutz, Monica Tempian, Jutta Vinzent, Paul Weindling, and Veronika Zwerger.
Facing the Past
In her first book, A Small Price to Pay, Ann Beaglehole traced the experiences of European refugees to New Zealand in the 1930s. In Facing the Past she focuses on the lives of a younger generation – the children of those wartime immigrants, whose perceptions and experiences of both the old and the new world were very different from their parents'. At school, in the neighbourhood, or on the sportsfield, many of them were painfully aware of being 'outsiders' in a society unused to cultural diversity. Yet their need to belong was frequently complicated by loyalty to the very different ideals and expectations of their parents. As one of them comments I was getting two messages... the 'always remember,' message and the 'start from now' message. Based on a wide range of interviews as well as documentary evidence from second-generation refugees worldwide, this is a fascinating account of the lives of immigrant children growing up in the decades between the 1940s and 1960s.
Strangers Arrive
None of us had the faintest idea where we were going [but] during 1938–39 . . . the town [Christchurch] was made strangely interesting for anyone like myself, [with the] scattered arrival of ‘the refugees’. All at once there were people among us who were actually from Vienna, or Chemnitz, or Berlin . . . who knew the work of Schoenberg and Gropius. – Anthony Alpers, 1985 From the 1930s through the 1950s, a substantial number of forced migrants – refugees from Nazism, displaced people after World War II and escapees from Communist countries – arrived in New Zealand from Europe. Among them were an extraordinary group of artists and writers, photographers and architects whose Europe...
«Auf Wiedersehen in Florenz!»
«Auf Wiedersehen in Florenz!» Voci di ebrei tedeschi dall’Italia presenta uno spaccato della Exilliteratur tedesca i cui protagonisti emigrarono a Firenze dopo l’avvento del nazionalsocialismo. Oltre a ricostruire il contesto della città negli anni 1933-1938, il volume esplora anche la produzione di alcuni autori e autrici dell’esilio, protagonisti del fervente clima culturale che si diffuse a Firenze grazie all’intersezione tra le culture tedesca, ebraica e italiana. Tra gli esponenti di questo contesto letterario, vi è un gruppo di autori che compare nella sezione dedicata alla scrittura in esilio (Alice Berend, Rudolf Borchardt, Karl Wolfskehl e Walter Hasenclever) mentre un altro gruppo compone, invece, il nucleo del post-esilio (Max Krell, Monika Mann, Otti Binswanger-Lilienthal e Georg Strauss).
Simply by Sailing in a New Direction
Simply by sailing in a new direction You could enlarge the world. – 'Landfall in Unknown Seas' hang on to your hands anything can happen – 'Two Pedestrians with One Thought' Allen Curnow (1911–2001) is widely recognised as one of the most distinguished poets writing in English in the second half of the twentieth century. From Valley of Decision (1933) to The Bells of Saint Babel's (2001) he defined and redefined how poetry might discover the possibilities of a world seen afresh. Through relationships with writers from Dylan Thomas to C. K. Stead he influenced the changing shape of modern poetry. And in criticism and anthologies like the Penguin Book of New Zealand Verse he helped ident...
A Small Price to Pay
For European refugees arriving in the 1930s, New Zealand was in many ways a haven. It wasn't all easy: they came from a continent rich in culture and history to a small isolated country with little social diversity. The immigrants found prejudice and suspicion as well as a place they could one day call their own. But the difficulties were 'a small price to pay' for freedom and survival. A Small Price to Pay tells the story of the refugees' flight to New Zealand, and what they found here. Based on interviews with thirty-two former refugees, this book is the first to document in detail their experiences.
