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Byzantine Mosaic Decoration; Aspects of Monumental Art in Byzantium
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Mosaic Decoration of San Marco, Venice
Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds and figures—Adam and Eve, Noah and his progeny, Isaiah, Christ, Mark, of course, and other holy men and women of Venice—these mosaics create a cosmic panorama. The Mosaic Decoration of San Marco, Venice brings these unrivaled mosaics into breathtaking focus, combining a descriptive history of their creation and repair over the ages with close-up photographs revealing their iconographic detail.
San Marco, Byzantium, and the Myths of Venice
Henry Maguire, emeritus professor of art history at Johns Hopkins University, works on Byzantine and related cultures. He has written extensively on Venetian art and the church of San Marco.
Shaping Sacred Space and Institutional Identity in Romanesque Mural Painting
Romanesque mural painting was arguably the most visible field for religious images in Western churches between the eleventh and thirteenth centuries. Beyond its traditional justification as Bible of the illiterate mural painting demarcated the principal functional spaces within the church and propagated the sacred narratives, the systems of belief and institutional politics. The present volume provides the first accessible collection of essays devoted exclusively to the contextual interpretation of Romanesque mural painting. They are offered in homage to Otto Demus, who established the essential parameters for the field with his unsurpassed survey of the field over thirty years ago. Presenti...
German-speaking Exiles in Great Britain
Explores the significance of particular British institutions which offered support and encouragement to those who had fled from Germany and Austria, and analyzes the Thomas Mann Newsletter, a refugee publication. Deals with individual refugees who were important contributors to the story of exile in Britain, and focuses on the Austrian aspect of exile in Britain, with emphasis on literature intended for Austrian children and adolescents and on the importance of the Austrian Center. Concludes with an introduction to the exile holdings at the Institute of Germanic Studies. Annotation copyrighted by Book News Inc., Portland, OR
