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The book contains 260 previously unpublished cuneiform documents from the early Old Babylonian town of Kisurra (ca. 1923-1866 BC) now kept in the collections of the British Museum. Although they have been acquired on the antique market, their provenience could be ascertained on the basis of intrinsic and formal criteria. In Kisurra, a small city state in central Babylonia, periods of independency under local kings have alternated with episodes of foreign rule by Uruk, Isin, Larsa and Babylon. The documents concern different aspects of agricultural management, ranging from the administration of the barley produce over silver and barley loans to contracts concerning real estate transfers through sale, inheritance and bequest. The documents are published in hand-copy, transliteration and commented translation. The volume includes extensive indices of the personal and divine names and an annotated list of all the year-names occurring in the Kisurra texts (taking into account all the published documents from Old Babylonian Kisurra).
Based on doctoral thesis, Hebrew University of Jerusalem, 2007.
International conference proceedings, Mainz, 1997 and 1998.
Aus dem Inhalt (38 Beitrage): V. M. Alpatov, Female Variant of Japanese Z. Anayban, The Women of Tuva in the Context of the Transformation Period in Russia. Birtalan, Ada: A Harmful Female Spirit in the Mongolian Mythology and Folk Belief E. Boikova, Common-Law Marriage in Pre-Revolutionary Mongolia D. Chmielowska, The Image of Woman in Turkish Literature in the Second Half of the 20th Century M. Dobrovits, Maidens, Towers and Beasts M. R. Drompp, From Qatun to Refugee: The Taihe Princess among the Uighurs B. Frey Naf, Compared With the Women the a Menfolk have little Business of their own." - Gender Division of Labour in the History of the Mongols M. Galik, The Twenty-Fourth Nasreddin? Two Women in Wang Meng's Xinjiang Stories J. Giessauf, Mulieres Bellatrices oder Apis Argumentosa? Aspekte der Wahrnehmung mongolischer Frauen in abendlandischen Quellen des Mittelalters M. I. Gol'man, The Mongolian Women in the Russian Archives of the XVIIth Century W. Heissig, Zum Motiv der Hexenverbrennung in der Mongolischen Volksdichtung F. G. Hisamitdinova, The Place and Role of the Bashkir Woman in Family and Society: The Present and the Past.
Hebrew is regarded as a former living language which ceased to be a native language 1800 years ago, only to be given a spoken function anew in the late 19th century. Since the re-acquisition of a lost colloquial function has never been documented, Modern Hebrew has become an object of fascination among linguists and laymen alike.In this book the author claims- Modern Hebrew is not a direct continuation of monolingual Semitic Hebrew- Modern Hebrew was created when Yiddish speaker re-lexified their language to Biblical and Mishnaic Hebrew- Yiddish is a Slavic language, derived from Sorbian and thus, Modern Hebrew is a Slavic LanguageThese claims raise a number of interesting questions: why do most speakers believe that Modern Hebrew is a Semitic language, what are the contributions of Modern Hebrew to the typology of diglossia, historical and genetic linguistics, universal grammar, 2nd language acquisition and political science?
The genocidal attack of ISIS on the Yezidi community of the Sinjar region in 2014, with its murder of men and enslavement of women and children, has had enormous consequences for Yezidi communities both in the homelands and in the Diaspora. At the same time, many communities are facing the intrusion of the modern world upon their hitherto very conservative religious traditions. This book focuses on the tensions between conservatism and the need to adapt to current circumstances in a religion which so far mostly resisted change. A number of specialists have been brought together here to offer insights into Yezidis' often unexpected reactions to the pressures of genocide on the one hand, and m...
Barbara Mittler's book is the first comprehensive monographic study of China's New Music written in a Western language. It deals with two key points of contention: the effects of politics on the development of Chinese New Music, and the importance of China's indigenous musical traditions for the development of her New Music. In many ways, it is a handbook to New Chinese Music as it provides biographical and musicological sketches of the greater number of China's composers. As a reference work it will thus be of interest to libraries as well as to musicologists and music impressarios. The book is unique as a comparative study of New Chinese Music under three different political systems. Its conclusions, the discovery of (and explanations for) inherent similarities in those three New Musics will be of interest to sinologists in the field of politics and cultural studies.
"Result of an international workshop held as part of the University of Giessen's Collaborative Research Center 'Memory Cultures'"--Pref.