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This collection of papers focusses on the literary, the text-linguistic, the intertextual, and the receptional aspects of the Qur anic text. Using modern methodology can open the way towards a more adequate hermeneutical approach to the Qur an.
The Qur'an is the foundational sacred text of the Islamic faith. Traditionally revered as the literal word of God, its pronouncements and discussions form the bedrock of Islamic beliefs and teachings. Notwithstanding its religious pre-eminence and the fact that it is the sacred text for over one billion of the world's Muslims, the Qur'an is also considered to be the matchless masterpiece of the Arabic language. Its historical impact as a text can be discerned in all aspects of the heritage of the Arabic literary tradition. Over recent decades, academic engagement with the Qur'an has produced an impressive array of scholarship, ranging from detailed studies of the text's unique language, styl...
This book continues the work of The Qur’ān in its Historical Context, in which an international group of scholars address an expanded range of topics on the Qur’ān and its origins, looking beyond medieval Islamic traditions to present the Qur’ān’s own conversation with the religions and literatures of its day. Particular attention is paid to recent debates and controversies in the field, and to uncovering the Qur’ān’s relationship with Judaism and Christianity. After a foreword by Abdolkarim Soroush, chapters by renowned experts cover: method in Qur'ānic Studies analysis of material evidence, including inscriptions and ancient manuscripts, for what they show of the Qur'ān...
A revelatory account of early Islam’s great diversity by the world’s leading scholar of early Qur’anic manuscripts “There is no one better placed than François Déroche to write the history—and tell the story—of how the Quran went from words uttered by Muhammad to inviolable canonical scripture. This is a meticulous, lucid, and fascinating book.”—Shawkat Toorawa, Yale University According to Muslim dogma, the recited and written text of the Qur’an as we know it today scrupulously reflects the divine word as it was originally sent down to Muhammad. An examination of early Islamic sources, including accounts of prophetic sayings, all of them compared with the oldest Qur’an...
The Qur’an: A Guidebook is an updated English version of the work appeared in Italian (Rome 2021) Leggere e studiare il Corano which deals with the contents of the Qur’an, the style and formal features of the text, the history and fixation of it and an poutline of the reception in Islamic literature. The aim of the work is to give a reader a description of what he/she can find in the Islamic holy text and the state of the critical debates on all the topics dealt with, focusing mainly on the growing scholarly literature which appeared in the last 30 years. As such, the work is unique in combining the aim to give comprehensive information on the topic and, at the same, time, reconstruct the critical debate in a balanced outline also emphasizing confessional approaches and the dynamics in the study of the Qur’an. There is nothing similar in contemporary scholarship and the book is a handbook for students and scholars of Islam but also for readers in religious studies who need to know how the main questions related to the Islamic text have been discussed in recent scholarship.
This work aims to distill the findings of a wide variety of scholarly disciplines into a coherent narrative of the Qur’ān’s history, from the first oral recitation to the four published Variants in active circulation today. In the process of unraveling the complicated relationships between the oral Qur’ān and the written Qur’ān, it becomes clear that there are, in fact, two histories of the Qur’ān and that the overall history of the Qur’ān cannot be appreciated without understanding the interactions between these two occasionally intertwined but often independent component histories. Discrepancies between the four qur’ānic Variants that are in active use today are indexed and analyzed. While most scholarship views the Qur’ān either in relation to its past and its possible origins, or in relation to its contemporary status as a static, fixed text, this work adopts an organic, developmental approach recognizing that the Qur’ān is a living text that continues to evolve.
During the 19th century and the first part of the 20th German universities were at the forefront of scholarship in what we now call Orientalism. Drawing upon a survey of thousands of published works this book presents a history of the development of Oriental studies during this period.
The corpus coranicum eludes familiar categories and resists strict labels. No doubt the threads woven into the fabric are exceptionally textured, varied, and complex. Accordingly, the introductory chapter of this book demonstrates the application of form criticism to the text. Chapter two then presents a form-critical study of the prayer genre. It identifies three productive formulae and addresses distinct social settings and forms associated with them. The third chapter begins by defining the liturgy genre vis-à-vis prayer in the Qurʾān. Drawing a line between the hymn and litany forms, this chapter treats each in turn. Chapter four considers the genre classified as wisdom literature. It...
Volume 4 of 4. Encompassing the whole milieu of early Islamic civilization, this major work of Western orientalism explores the meaning of the life and teaching of the tenth-century mystic and martyr, al-Hallaj. With profound spiritual insight and transcultural sympathy, Massignon, an Islamicist and scholar of religion, penetrates Islamic mysticism in a way that was previously unknown. Massignon traveled throughout the Middle East and western India to gather and authenticate al-Hallaj's surviving writings and the recorded facts. After assembling the extant verses and prose works of al-Hallaj and the accounts of his life and death, Massignon published La Passion d'al-Hallaj in 1922. At his de...