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These two thinkers confront the issues surrounding public support for the arts through d'Alembert's original proposal, Rousseau's attack, and the first English translation of d'Alembert's response as well as correspondence relating to the exchange."
Sporting Cultures, 1650-1850 is a collection of essays that charts important developments in the study of sport in the eighteenth century.
That medicine becomes professionalized at the very moment that literature becomes "Romantic" is an important coincidence, and James Allard makes the most of it. His book restores the physical body to its proper place in Romantic studies by exploring the status of the human body during the period. With meticulous detail, he documents the way medical discourse consolidates a body susceptible to medical authority that is then represented in the works of Romantic era poets. In doing so, he attends not only to the history of medicine's professionalization but significantly to the rhetoric of legitimation that advances the authority of doctors over the bodies of patients and readers alike. After surveying trends in Romantic-era medicine and analyzing the body's treatment in key texts by Wordsworth and Joanna Baillie, Allard moves quickly to his central subject-the Poet-Physician. This hybrid figure, discovered in the works of the medically trained John Keats, John Thelwall, Thomas Lovell Beddoes, embodies the struggles occasioned by the discrepancies and affinities between medicine and poetry.
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his c...
Ecrasez l’infâme! Voltaire’s rallying cry against fanaticism resonates with new force today. Nothing suggests the complex legacy of the Enlightenment more than the struggle of superstition, prejudice, and intolerance advocated by most of the Enlightenment philosophers, regardless of their ideological differences. The aim of this book is to undertake a reconsideration of the controversies surrounding the questions of religion, toleration, and fanaticism in the eighteenth century through an examination of Rousseau’s dialogue with Voltaire. What come to light from this confrontation are two leading and at times competing world views and conceptions of the place of the engaged writer in society.
Re-reads a major theorist in terms of the current crisis in sovereignty and global capital. Taking de Man's recently published manuscript Textual Allegories as a point of departure, 13 experts, themselves significant voices in contemporary literary theory, revisit de Man's account of Rousseau and what he calls a 'Theotropic Allegory' (the second to last step before 'Political Allegory', on the road toward a general theory of Textual Allegory). They frame de Man's readings of Rousseau in a 'post-theoretical' landscape concerned with political theology, occupied with the transformation of the western model of sovereignty, and faced with the apparent collapse of the capitalist global contract. The volume is framed by an introduction by leading de Man scholar, Martin McQuillan, and concludes with an original and previously unpublished text by Paul de Man.
Sharing Freedom uncovers the revolutionary origins and the internal paradoxes of French republicanism.
One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her life and after her death in ways that can seem at once very strange and--because of his style's immense influence--very familiar to students. This volume aims to meet the varied needs of instructors, whether they teac...
"Rousseau's God offers a comprehensive interpretation of Rousseau's theological and religious writings, both in themselves and in relation to his philosophy of the natural goodness of man. John T. Scott argues that there is a complicated relationship between Rousseau's philosophy, on the one hand, and his theological and religious thought. This relationship revolves around two oppositions: first, between the attributes and psychological needs of natural man and social or moral man; second, between the criteria of truth and utility for evaluating theological and religious doctrines. In short, because the justification of nature through the natural goodness of man does not suffice for developed humans, Rousseau offers theological and religious doctrines which are less true than useful, psychologically, morally, or politically"--
This collection of essays was assembled to honor the memory of the late, eminent Voltaire scholar J. Patrick Lee. It includes seventeen essays by prominent scholars from the United States, Canada, the United Kingdom, and France on a variety of topics in French eighteenth-century studies. Essay titles include: “A New Genre: l’Opéra moral / Moral Opera in Eighteenth-Century France,” “Voltaire and the Uses of Censorship: The Example of the Lettres Philosophiques,” “Enlightenment Intertextuality: The Case of Heraldry in the Encyclopédie méthodique,” “Sex as Satire in Voltaire's Fiction,” “Violence, Levity, and the Dictionary in Old Regime France: Chaudon’s Dictionnaire a...