Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A Barfield Reader
A representative selection from the major writings of the man C. S. Lewis called “the wisest and best of my unofficial teachers.”
What Barfield Thought
As interest in Owen Barfield grows, we aim to meet the need for a scholarly introduction to his thought. Our primary purpose is to present an overview, analysis, and synthesis of Barfield’s most salient ideas in a manner that will be of interest to neophytes and initiates alike. Barfield’s work can, at times, be difficult to understand; C. S. Lewis put it well when he described Barfield’s style of argument as “dark, labyrinthine,” and “pertinacious.” But Lewis ardently promoted Barfield’s work because he knew that people who willingly walk in those dim and winding corridors are, in time, richly rewarded by the bright light at their end. We offer the present work in service to those who wish to undertake this adventure. While the present book will help those readers who wish to engage Barfield for the sake of achieving a greater understanding of and appreciation for other writers who have been associated with or influenced by him, we aim first and foremost to present Barfield as a profound and original thinker in his own right.
Owen Barfield
Owen Barfield - philosopher, author, poet and critic - was a founding member of the Inklings group, the private Oxford society that included the leading literary figures C.S. Lewis, J.R.R. Tolkien and Charles Williams. C.S. Lewis, who was greatly affected by Barfield during their long friendship, wrote of their many heated debates: `I think he changed me a good deal more than I him.' Simon Blaxland de Lange's biography - the first on Owen Barfield to be published - was written with the active cooperation of Barfield who, before his death in 1997, gave numerous interviews to the author, as well as lending a large quantity of his papers and manuscripts. The fruit of this collaboration is a boo...
A Barfield Sampler
This is a collection of the fiction and poetry of one of the twentieth century's most influential and significant thinkers. Barfield is known widely for his explorations of human consciousness, the history of language, the origins of poetic effect, and the interaction of the disciplines, especially literature and the hard sciences. This book presents Barfield as a writer of imaginative literature. In the stories, one finds both post-war displacement and Bloomsburian ironies. In the two short novels, Barfield gives us two stunning versions of the Apocalypse. In his poetry he explores the varieties of human experience, often in radical relation to the past. A seemingly conventional poetic introduces explosive theological and sexual issues, confrontations with urban despair and fragmentation. Barfield's creative work is original, daring, and prophetic. His voice heralds a new age of consciousness of which our time is becoming increasingly aware.
History in English Words
"The playful artistry of the Waldorf Alphabet Book speaks to the heart of childhood. These lively illustrations, so filled with color, movement, eloquent gesture, and invention conjure up long-forgotten memories of books from a time when pictures were still alive and spoke with power. Each page is a magical door, opening to the bright realm where stories are enacted, a realm of wonders accessible to children, artists, and ll those in whom the light of imagination shines. "The most important thing as you peruse the delightful pages of the Waldorf Alphabet Book with your child is the engaging conversation that flows between you as you search among the pictures for words." (from the afterword) ...
Owen Barfield on C. S. Lewis
C. S. Lewis, theologian and literary scholar, and Owen Barfield, philosopher and London solicitor, were longtime friends. G. B. Tennyson, editor of these papers by Barfield on Lewis, believes this relationship of "two immense intellects" "one of the most absorbing literary friendships of the twentieth century." Lewis called Barfield the "wisest and best of my unofficial teachers"; to Barfield, C. S. Lewis was "the absolutely unforgettable friend." They had been friends and disputants from their Oxford days after the First World War until Lewis's death forty years later. Barfield was his solicitor and trustee in the later years. This is vintage Barfield as well as an astute appraisal of C. S....
Saving the Appearances
Reprint. Originally published: London: Faber & Faber, 1957.
This Ever Diverse Pair
This Ever Diverse Pair was first published in 1950, when Barfield was practising as a solicitor in London. A humorous portrayal of everyday life in a lawyer's office, the novel's true subject is what C.S. Lewis described as "the rift in every life between the human person and his public persona - between, say, the man and the bus conductor or the man and the king..." Owen Barfield is one of the twentieth century's most significant writers and philosophers. Widely renowned for his insight and literary artistry, Barfield addresses key concerns of the sciences, humanities, social sciences, and arts in our time. His fellow Inklings, C.S. Lewis and J.R.R. Tolkien, are among the leading figures influenced by Barfield's work. "A work of art and more original than anything I have read for a long time" - C.S. Lewis
Owen Barfield
In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in God's primordial poiēsis.
