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In Our Own Image
Fred Ritchin's" In Our Own Image is a comprehensive account of computer technology's impact on what we see and, ultimately, what we believe about the world. Both a history of photojournalism and a primer of computer technology, "In Our Own Image is a philosophy of vision and reality for the twenty-first century. Extensively revised and updated," In Our Own Image is sure to remain a staple of one of the most important debates for many years to come.
In Our Own Image
This study provides a comprehensive systematic classification, comparison, and evaluation of the major classes of theories of ultimate reality. It offers compelling analyses of anthropomorphism and apophaticism, including tracing multiple dimensions of anthropomorphism in various models of ultimate reality.
In Their Own Image
The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene. From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, J...
In Our Own Image
The title of our volume refers to what is well described by the following two quota tions:"Godcreated man in his own image"l and "Man creates God in his own image."2 Our approach to symmetry is subjective, and the term "personal" symmetry reflects this approach in our discussion of selected scientific events. We have chosen six icons to symbolize six areas: Kepler for modeling, Fuller for new molecules, Pauling for helical structures, Kitaigorodskii for packing, Bernal for quasicrystals, and Curie for dissymmetry. For the past three decades we have been involved in learning, thinking, speaking, and writing about symmetry. This involvement has augmented our principal activities in molecular structure research. Our interest in symmetry had started with a simple fascination and has evolved into a highly charged personal topic for us. At the start of this volume, we had had several authored and edited symmetry related books behind 3 us. We owe a debt of gratitude to the numerous people whose interviews are quoted 4 in this volume. We very much appreciate the kind and gracious cooperation of Edgar J. Applewhite (Washington, DC), Lawrence S. Bartell (University of Michigan), R.
Creating Their Own Image
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln...
In His Own Image
American security officer Nicholas Haden is facing the most important assignment of his career. He must protect his boss Renée Thomas on a journey from Nairobi, Kenya into the heart of Al-Shabaab territory in Somalia in order to open a controversial youth center designed to de-radicalize former Islamic militants. A center, he does not believe in. But the success or failure of this model rehabilitation center may mean the difference between future peace and protracted civil war in Somalia. For very different motives, both Kenyan counter-intelligence authorities and Al-Shabaab militants will stop at nothing to see that the center fails. In an effort to coerce Haden into sabotaging Renée’s ...
In My Own Image
I have always wondered at the nature of God. Why are we the way we are? Why are there so many different types of people, both in culture and physical appearance? Why can the world seem so beautiful and harmonious, and yet so like a garbled complex of organized inadequacies? Why have there been so many gods? Why did people once believe in a polytheistic deity, and now, so many, in a single God? Why do so many cultures have so many ideas as to what that one true God is? Why is it essential that our one idea of God be the correct one? Why can't each person's perception of God be unique, and yet tolerable to all other people? Why are some people sure there is a God? Why do some people doubt? And why are others very sure a God couldn't possibly exist? If there is really a God, did he truly create us in His image? What exactly does it mean to be created in His image? Do we mean physical appearance? Or intellect? Or free will?
In His Own Image and Likeness
This book is about nothing less than Genesis 1, or human creation. Humanity, the author convincingly argues, is created within the Priestly tradition as a replacement of God's divine community; human creation marks the decisive moment that P's God separates himself from other gods and institutes monotheism. After discussing the references of God's self-inclusive yet plural first person speech and examining the ramifications of this speech pattern in other biblical texts, Randall Garr discusses the divine-human relationship as it is represented by carefully analysing the prepositions and nouns that characterize it. After highlighting some themes and theological concepts elaborated in Gen 1, it clearly situates the creation of humanity within the programmatic agenda of the Priestly tradition.
In His Own Image
In this “stunning narrative” of a young female war photographer’s life and death, “moral questions take on human form” (Kirkus Reviews). From Goncourt Prize–winning author Jérôme Ferrari, a bewitching story of passion, death, and love, and a powerful reflection on the relationship between art and reality Born in a small town in Corsican countryside, Antonia grows up in a place of deeply-rooted traditions and strong family ties. When she’s fourteen, her uncle, a priest, gives her a camera—igniting a passion that will prompt her to become a photojournalist. Over two decades later, Antonia is walking around the port of Calvi when she runs into Dragan, a soldier whom she had me...
In Our Own Image: Fictional Representations of William Shakespeare
This publication looks at fictional portrayals of William Shakespeare with a focus on novels, short stories, plays, occasional poems, films, television series and even comics. In terms of time span, the analysis covers the entire twentieth century and ends in the present-day. The authors included range from well-known figures (G.B. Shaw, Kipling, Joyce) to more obscure writers. The depictions of Shakespeare are varied to say the least, with even interpretations giving credence to the Oxfordian theory and feminist readings involving a Shakespearian sister of sorts. The main argument is that readings of Shakespeare almost always inform us more about the particular author writing the specific work than about the historical personage.
