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George Stubbs was one of the most original artists Britain ever produced. His extraordinary dedication to accuracy impelled him to spend 18 solitary months dissecting and drawing horses to make his landmark study, The Anatomy of the Horse. His portraits of people and animals combine an unflinchingly accurate gaze with profound psychological truth, yet he also created some of the most lyrical paintings of the age. Ozias Humphry, a colleague of Stubbs, recorded his many conversations with the painter, and the resulting manuscript became the basis for this present book.
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Among All The Colourful Figures Of Eighteenth Century India, Claude Martin (1735-1800) Stands Out As One Of The Most Extraodinary. To Read His Letters, Collected Here For The First Time, Is To Enter The Mind Of A Man Of The Enlightenment, French By Birth, But Who Served The British For Most Of His Adult Life.
A study of an important but anonymous part of the history of American art: the materials and techniques used by American painters. Based on research including artists' recipe books, letters, journals, and painting manuals, it includes topics such as the quest for the 'secrets' of the Old Masters; the application of 'toning' layers; and more.
During his lifetime, the work of architect George Hadfield (1763-1826) was highly regarded, both in England and the United States. Since his death, however, Hadfield's contributions to architecture have slowly faded from view, and few of his buildings survive. In order to reassess Hadfield's career and work, this book draws upon a wide selection of written and visual sources to reconstruct his life and legacy. After a general introduction, the book begins with an outline of Hadfield's early years and moves on to look in detail at the extant major buildings in Washington, D.C. that he worked on: the Capitol, Arlington House and Old City Hall. Hadfield's contributions to the Capitol and other ...