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The conflict that effectively laid the bloody foundations for the Hundred Years War and taught military and logistical lessons to both sides that would not be forgotten.
Here is the poem Ozymandias by Percy Bysshe Shelley like you've never seen it before. With strange illustrations that breathe a new life into the poem, this book is something different for you to add to your bookshelf.
When we think of kings and queens, we conjure up illusions of a magnificent kingdom where His and Her Majesties live in the lap of luxury and want for nothing. While this may be true, life wasn’t always as perfect. With the history of royal families comes a long and twisted history of genetics and family intermarriage that is often swept aside. In Ms Cummings' latest book, she takes us through the complicated spider’s web of royal marriages. She tells us of the atrocities of the Ptolemy Dynasty as they continued to marry brothers and sisters to fend off political outsiders. She tells us about the centuries of intermarriage in European’s most prominent royal family, along with the devas...
This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence and partial order mereology to model perceptual structure. It reviews the writing of philosophers such as Paul Crowther and art theorists such as Krauss to establish the need for this research. The ontological model established Paul Crowther is used to guide an interactive account of his ontology in the interpretations of the perceptual process of three-dimensional abstract art to allow the formulation of a more comprehensive philosophical account. The book uniquely combines structuralist and post-structuralist approaches to artistic perception and understanding with a conceptual structure from facet theory, which is clarified with the help of a mapping sentence and partial order mereology.
Standing on the riches of humanity’s holy books and traditions, drawing on our wealth of scientific and technological knowledge, and injecting his own creativity and humour, Yoda Oraiah presents his readers with a potential new religion—Cosmism. Cosmism: A New Hope for Humanity is a thorough exploration of human belief and creed through history, accompanied by an exhaustive detailing of a new way, a new understanding, and an inspired approach to life. Cosmism is a Space Age philosophical model and belief system that is built upon the aspects of intelligence and consciousness present in the universe. It sees the entire Cosmos as God and humans as part and parcel of this great orderly system we seem to live in. Cosmists believe that since we are part of this Cosmos, we have the capacity to influence its life and evolution, and our relationship with this greatest system is something important to recognize and cherish in our lives. Hard-hitting, thought-provoking, and entertaining, Cosmism: A New Hope for Humanity will challenge readers to explore their place in the Cosmos and their relationship with its other inhabitants.
What mission had the Quedak been given? Even he couldn't remember any more - but he refused to die till it was completed! A masterful science fiction tale woven by a master of the genre, Robert Sheckley! A fantastic addition to the library of any sci-fi fanatic!
SALADIN is one of the few Oriental Personages who need no introduction to English readers. Sir Walter Scott has performed that friendly office with the warmth and insight of appreciative genius. It was Saladin's good fortune to attract the notice not only of the great romancer, but also of King Richard, and to this accident he partly owes the result that, instead of remaining a dry historical expression, under the Arabic style of "el-Melik en-Nasir Salah-eddin Yusuf ibn Ayyub," he has become, by the abbreviated name of "Saladin," that familiar and amiable companion which is called a household word. The idea, it is true, is vague and romantic.
RED GHALLINAN was a gunman. Not a trade to be proud of, perhaps, but Red was proud of it. Proud of his skill with a gun, proud of the notches on the long blue barrels of his heavy .45's. Red was a wiry, medium sized man with a cruel, thin lipped mouth and close-set, shifty eyes. He was bow-legged from much riding, and, with his slouching walk and hard face he was, indeed, an unprepossessing figure. Red's mind and soul were as warped as his exterior. His sinister reputation caused men to strive to avoid offending him but at the same time it cut him off from the fellowship of people. No man, good or bad, cares to chum with a killer. Even the outlaws hated him and feared him too much to admit him to their gang, so he was a lone wolf. But a lone wolf may sometimes be more feared than the whole pack.
Moran cut apart the yard-long monstrosity with a slash of flame. The thing presumably died, but it continued to writhe senselessly. He turned to see other horrors crawling toward him. Then he knew he was being marooned on a planet of endless terrors.