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After the Caliphate
In 2014, the declaration of the Islamic State caliphate was hailed as a major victory by the global jihadist movement. But it was short-lived. Three years on, the caliphate was destroyed, leaving its surviving fighters – many of whom were foreign recruits – to retreat and scatter across the globe. So what happens now? Is this the beginning of the end of IS? Or can it adapt and regroup after the physical fall of the caliphate? In this timely analysis, terrorism expert Colin P. Clarke takes stock of IS – its roots, its evolution, and its monumental setbacks – to assess the road ahead. The caliphate, he argues, was an anomaly. The future of the global jihadist movement will look very mu...
Silveronda
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James P. Clarke (Late a Senator from Arkansas)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
James P. Clarke (Late a Senator From Arkansas)
This biography pays tribute to the life and legacy of James P. Clarke, a distinguished senator from Arkansas. From his humble beginnings to his rise to national prominence, Clarke's life story is a testament to the values of hard work and perseverance. Through accounts of his accomplishments and challenges, readers will gain a deeper appreciation for the impact Clarke had on the political landscape of his time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Harry Clarke’s War
Ireland’s Memorial Records, 1914-1918 contain the names of 49,435 enlisted men who were killed in the First World War. Commissioned in 1919 by the Lord Lieutenant of Ireland and published in 100 eight-volume sets, the Records are notable for stunning and elaborate page decorations by celebrated Irish illustrator Harry Clarke. Drawing from published and unpublished sources, Marguerite Helmers’ ground-breaking study provides a fascinating insight into the work of Harry Clarke as an extraordinary war artist and examines the process that led to the Records being commissioned through to the eventual placement of the Records within the Irish National War Memorial at Islandbridge, Dublin. With Harry Clarke’s illustrations taking center stage in the story, the Records and their genesis are of vital importance to our understanding of how art and commemoration can come together in a powerful visual creation.
Jonathan Strange and Mr Norrell
The 20th anniversary edition of the fantasy classic, with an introduction by V E Schwab Over 4 million copies sold 'One of the greatest fantasy writers of her generation' New York Times 'The book I wish I'd written' R F Kuang 'Susanna Clarke writes with an intelligence and beauty that seems at times miraculous' Katherine Rundell 'A modern masterpiece' Spectator 1806. England is beleaguered by the long war, and centuries have passed since magicians faded from view. But one remains: the reclusive Mr Norrell. Proceeding to London, he raises a woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious Norrell is challenged by the emergence of another magician. Young, handsome and daring, Jonathan Strange is his very antithesis. So begins a dangerous battle between these two great men – which overwhelms that between England and France. And soon their own secret dabblings with the dark arts are going to cause more trouble than they can imagine... 'Like Hilary Mantel, Clarke has made the very notion of genre seem quaint' Guardian
The Clarke Papers: Volume 27
Since their publication in the Camden Series over 100 years ago, Sir Charles Firth's editions of the papers and New Model Army secretary William Clarke, Clarke Papers I-IV (1891-1901), have formed a fundamental source for students of the English Civil War and Interregnum, 1642-1660. This volume offers a further selection, deciphered for the first time since they were written by Frances Henderson, from the many documents which Clarke disguised in one of the rudimentary shorthand systems of his day. The new material consists mainly of the political intelligence which was being passed at every level from informed sources in London and elsewhere to English army headquarters in Scotland, where Clarke was based during the 1650s. The text is fully annotated. Appendices include a list of correspondents identified by Clarke in shorthand letters otherwise written en clair, and a survey of the use of shorthand in early seventeenth-century England.
Psychosis and Spirituality
The new edition of this successful text builds on the very latest research to present an original and unique exploration of the psychology of both spirituality and psychosis. The editor brings together fascinating perspectives from a broad range of distinguished contributors. This new edition covers the most recent body of research, both qualitative and quantitative, in its exploration of the interface between psychosis and spirituality, and investigation into anomalous experiences Ten new chapters added and the remaining text completely updated New to this edition is an expanded clinical section, relevant to clinicians working with psychosis Offers a fundamental rethink of the concept of psychosis, and proposes new insights into spirituality Includes feature chapters from a distinguished list of contributors across a broad range of disciplines, including Peter Fenwick, Peter Chadwick, David Kingdon, Gordon Claridge, Neil Douglas Klotz and David Lukoff
Critical Dialogues
In this engaging and original book, John Clarke is in conversation with 12 leading scholars about the dynamics of thinking critically in the social sciences. The conversations range across many fields and explore the problems and possibilities of doing critical intellectual work in ways that are responsive to changing conditions. By emphasising the many voices in play, in conversation with as well as against others, Clarke challenges the individualising myth of the heroic intellectual. He underlines the value of thinking critically, collaboratively and dialogically. The book also provides access to a sound archive of the original conversations.
Artists in the Archive
Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating.
