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The JUNIOR CLASSICS
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The Five-Foot Shelf of Books: The Complete Poems of John Milton
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Man Who Had Everything
"The story of a rich and successful playwright, playboy of society, facing in middle life the emptiness of his grasp on real life, the incompleteness of his own development. The background shifts from New York to France, with an abortive attempt to recapture a youthful dream; then back again, with perhaps a deeper understanding of his own reasons for failure." --Kirkus Reviews
Music Printing and Publishing
Divided into three sections, this handbook covers a detailed survey of the history and techniques of music printing and publishing, including discussion of modern computer methods, with technical terms explained.
The Passing Show
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William Terry Couch and the Politics of Academic Publishing
William Terry Couch (1901-1988) began his four-decade publishing career building the University of North Carolina Press into one of the nation's leading university presses. His editorial attacks on the social ills of the South earned him a reputation as a southern liberal. By the 1940s, his disaffection with New Deal politics turned him toward the right, resulting in his 1950 firing as director of the University of Chicago Press. As a conservative, Couch sought books and articles that would sway general readers from what he saw as an intellectual torpor that accepted the growing role of government in American life. The liberals who controlled the presses found him dogmatic and irascible. Whe...
Collier's
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