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Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.
This book provides an empirical and philosophical investigation of self-tracking practices. In recent years, there has been an explosion of apps and devices that enable the data capturing and monitoring of everyday activities, behaviours and habits. Encouraged by movements such as the Quantified Self, a growing number of people are embracing this culture of quantification and tracking in the spirit of improving their health and wellbeing. The aim of this book is to enhance understanding of this fast-growing trend, bringing together scholars who are working at the forefront of the critical study of self-tracking practices. Each chapter provides a different conceptual lens through which one can examine these practices, while grounding the discussion in relevant empirical examples. From phenomenology to discourse analysis, from questions of identity, privacy and agency to issues of surveillance and tracking at the workplace, this edited collection takes on a wide, and yet focused, approach to the timely topic of self-tracking. It constitutes a useful companion for scholars, students and everyday users interested in the Quantified Self phenomenon.
How are human computation systems developed in the field of citizen science to achieve what neither humans nor computers can do alone? Through multiple perspectives and methods, Libuse Hannah Veprek examines the imagination of these assemblages, their creation, and everyday negotiation in the interplay of various actors and play/science entanglements at the edge of AI. Focusing on their human-technology relations, this ethnographic study shows how these formations are marked by intraversions, as they change with technological advancements and the actors' goals, motivations, and practices. This work contributes to the constructive and critical ethnographic engagement with human-AI assemblages in the making.
Was sind die konstitutiven Elemente verschiedener Formen sozialer Nahbeziehungen? Welche Rolle spielen Praktiken der Inklusion und Exklusion bei der Formierung, Aushandlung und Aufrechterhaltung von Gruppen? Wie werden Vertrauens- und Loyalitätsbindungen geschaffen und bewahrt? Wie gehen Gemeinschaften mit Konflikten um? Dieser Band hat das Ziel, den Fokus von dyadischen Nahbeziehungen hin zu Gemeinschaften und Gruppen zu verlagern. Er beinhaltet interdisziplinäre Beiträge und Fallstudien zu unterschiedlichen kulturellen, historischen und geographischen Kontexten. Die Beiträge konzentrieren sich nicht nur auf Praktiken und Semantiken von Zugehörigkeit, sondern nehmen auch Prozesse der Auflösung und Neuverhandlung in den Blick. Die einzelnen Texte diskutieren, wie Gemeinschaften entstehen, was sie aufrechterhält und ihnen Kohärenz verleiht, wie sie Identitäten aushandeln und wie sie mit Konflikten umgehen und Bedrohungen ihres geteilten Selbstverständnisses begegnen.
Discoveries in biomedicine and biotechnology, especially in diagnostics, have made prevention and (self)surveillance increasingly important in the context of health practices. Frederike Offizier offers a cultural critique of the intersection between health, security and identity, and explores how the focus on risk and security changes our understanding of health and transforms our relationship to our bodies. Analyzing a wide variety of texts, from life writing to fiction, she offers a critical intervention on how this shift in the medical gaze produces new paradigms of difference and new biomedically facilitated identities: biosecurity individuals.
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Twenty-first-century Western culture is characterized by profound transformations in its forms of collective organization. While traditional institutions of Western liberal democracies still wield significant political power, new forms of collective agency - most visible in progressive social protest movements, but also in the global rise of populism - have increasingly put pressure on established systems of collective organization. The contributors to this volume explore the social, political, and aesthetic forms that collective agency takes in the twenty-first century across a variety of media, including social platforms such as TikTok, multiplayer video games, and contemporary lyric poetry.
Code is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them.
Written by an impressive group of international scholars, this collection's ten essays explore key issues and forms of design, from ancient life ideals to the new media, displaying how creative design always revolves around the soma, the living, sentient body.