You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book is an introduction to Pablo González Casanova, giant of Latin American sociology. It examines his work across history, sociology, political science, and anthropology, exploring in depth his writings on the university, democracy, the new sciences, alternatives to capitalism, the humanities, equity with social justice, patriarchal domination, and the struggle for planet earth. This book provides insights into a foundational Latin American perspective on global realities. It argues that Pablo González Casanova contributes original elements for the construction of a critical theory in the social sciences and humanities of Mexico, Latin America, and the Caribbean. With an enriching interdisciplinary perspective, this book will be of interest to scholars from a range of specialized interests in sociology, political science, philosophy, anthropology, cultural studies, scientific epistemology, methodology, and critical thinking in the alternative field to capitalism.
"This book is an introduction to Pablo Gonzâalez Casanova, giant of Latin American sociology. It examines his work across history, sociology, political science, and anthropology, exploring in depth his writings on the university, democracy, the new sciences, alternatives to capitalism, the humanities, equity with social justice, patriarchal domination, and the struggle for planet earth. This book provides insights into a foundational Latin American perspective on global realities. It argues that Pablo Gonzâalez Casanova contributes original elements for the construction of a critical theory in the social sciences and humanities of Mexico, Latin America and the Caribbean. With an enriching interdisciplinary perspective, this book will be of interest to scholars from a range of specialized interests in sociology, political science, philosophy, anthropology, cultural studies, scientific epistemology, methodology and critical thinking in the alternative field to capitalism"--
None
"Náhuatl Stories is the first translation into English of one of the classics of Mexican literature. The universality of the pre-Hispanic indigenous people of central Mexico, the Nahuas, backbone of the Aztec empire, is present not only in their magnificent architecture and the vibrancy of their paintings. Náhuatl literature conveys the customs, traditions, rituals and beliefs of a culture with a very complex socio-political structure whose cosmology sees gods, human beings and nature coexist and interact on a daily basis. Today, more than 1.5 million people still speak Náhuatl, the second most widely spoken language in Mexico after Spanish. These fourteen stories, collected and translated into Spanish by Pablo González Casanova, were first published in 1946. This edition presents the English translations facing the original Náhuatl texts, and includes the author’s introduction and the introduction to the Fourth Edition of 2001 by Miguel León-Portilla."--
Explains and critiques current theories of political development.
In the late nineteenth century, the Mexican government, seeking to fortify its northern borders and curb migration to the United States, set out to relocate “Mexico-Texano” families, or Tejanos, on Mexican land. In Colonizing Ourselves, José Angel Hernández explores these movements back to Mexico, also known as autocolonization, as distinct in the history of settler colonization. Unlike other settler colonial states that relied heavily on overseas settlers, especially from Europe and Asia, Mexico received less than 1 percent of these nineteenth-century immigrants. This reality, coupled with the growing migration of farmers and laborers northward toward the United States, led ultimate...
Covers the period from 1968 to 1989.
In the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who often worked in concert with French and France-based organizations. In promoting the emerging concept and practice of art cinema, these film-related institutions advanced geopolitical and class interests simultaneously in a polarized Cold War climate. Seeking to sharpen viewers' critical faculties as a safeguard against ideological extremes, institutions of film culture lent prestige to Latin America's growing middle classes and capitalized on official and unofficial efforts to boost the circulation of French cinema, enhancing the nation's soft power in the wake of military defeat and occupation. As the first book-length, transnational analysis of postwar Latin American film culture, Transatlantic Cinephilia deepens our understanding of how institutional networks have nurtured alternative and nontheatrical cinemas.
Drawing from a case study of the Universidad Nacional Autonoma de Mexico , this work analyses the connection between political processes and change in higher education. The author explains that while there are increasing demands these have not produced rapid responses from the university and tries to understand why this lack of response has generated internal and external tensions and conflictive dynamics.
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.