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Stick Houses
As researchers tried to prompt his mother to say that her ancestors lived in wigwams or teepees, Matthew L. M. Fletcher’s mother insisted her ancestors lived in stick houses. From the opening lines of Fletcher’s story collection, he sets the scene to disrupt narrative stereotypes and expectations about how Indigenous people are perceived. He provides insight into the complex world in which Anishinaabe people live, stripped of the ownership of much of their homeland. In Stick Houses, Fletcher explores what this loss of place has meant to the Anishinaabe people of Michigan. It explores how they must leave and come back. There is dispossession and separation, but there is also reunion and r...
Tribal Fantasies
This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture. With examples ranging from Irish oral myth, through the pop image of Indians promulgated in pornography, to the philosophical appropriations of Ernst Bloch or the European far right, contributors illustrate the legend of "the Indian." Drawing on American Indian literary nationalism, postcolonialism, and transnational theories, essays demonstrate a complex nexus of power relations that seemingly allows European culture to build its own Native images, and ask what effect this has on the current treatment of indigenous peoples.
Aiding Ireland
"Aiding Ireland charts the ways that people around the North Atlantic used Irish famine relief in the 1840s to advance their own political agendas"--
Indigenuity
For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative, and collective purposes. In this innovative work at the intersection of Indigenous studies, literary studies, book history, and material culture studies, Caroline Wigginton tells a story of the interweavings of Native craftwork and American l...
"Kicking Bishop Brennan Up the Arse"
This collection of essays reconsiders aspects of Irish studies through the medium of literary and cultural theory. The author looks at the negotiations between texts and their contexts and then analyses how the writer both reflects and transforms aspects of his or her cultural milieu. The essays examine literary texts by W. B. Yeats, Seamus Heaney, James Joyce and Sean Ó'Faoláin; media texts such as Father Ted, American Beauty and a series of Guinness advertisements; as well as cultural and political contexts such as globalisation, religion, the Provisional IRA and media treatment of murders in Ireland. The author also looks at aspects of the postcolonial and feminist paradigms and makes use of a theoretical matrix based on the work of Jacques Derrida and Jacques Lacan.
“All Will Be Swept Away”
The book offers the first comprehensive study of Paul Muldoon’s mourning verse. Considering not only the celebrated elegies like "Yarrow," "Incantata" or "Sillyhow Stride" but also the elegiac impulse as it develops throughout Muldoon’s entire work, All Will Be Swept Away charts a large swathe of Muldoon’s poetic landscape in order to show the complexity with which he approaches the themes of death and mourning. Using archival material as well as a vast array of theoretical apparatuses, the book unveils the psychological, literary and political undertones in his poetry, all the while attending to the operations of the poetic text: its form, its music and its capacity to console, warn and censure.
Conversations with LeAnne Howe
Conversations with LeAnne Howe is the first collection of interviews with the groundbreaking Choctaw author, whose genre-bending works take place in the US Southeast, Oklahoma, and beyond our national borders to bring Native American characters and themes to the global stage. Best known for her American Book Award–winning novel Shell Shaker (2001), LeAnne Howe (b. 1951) is also a poet, playwright, screenwriter, essayist, theorist, and humorist. She has held numerous honors including a Fulbright Distinguished Scholarship in Amman, Jordan, from 2010 to 2011, and she was the recipient of the Modern Language Association’s first Prize for Studies in Native American Literatures, Cultures, and ...
A Course of Severe and Arduous Trials
The artist Francis Bacon (1909-1992) and the writer Samuel Beckett (1906-1989) both convey in their work a sense of foreboding and confinement in bleak, ritualistic spaces. This book identifies many similarities between the spaces and activities they evoke and the initiatory practices of fraternal orders and secret societies that were an integral part of the social landscape of the Ireland experienced by both men during childhood. Many of these Irish societies modelled their ritual structures and symbolism on the Masonic Order. Freemasons use the term 'spurious Freemasonry' to designate those rituals not sanctioned by the Grand Lodge. The Masonic author Albert Mackey argues that the spurious forms were those derived from the various cult practices of the classical world and describes these initiatory practices as 'a course of severe and arduous trials'. This reading of Bacon's and Beckett's work draws on theories of trauma to suggest that there may be a disturbing link between Bacon's stark imagery, Beckett's obscure performances and the unofficial use of Masonic rites.
Sacred Smokes
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers’ heads for a long time to come.
Silence and Articulacy in the Poetry of Medbh McGuckian
Silence and Articulacy in the Poetry of Medbh McGuckian is an innovative contribution to the scholarship on Belfast poet, Medbh McGuckian. This book considers the entire oeuvre of this globally respected Irish woman writer, a member of the contemporary avant-garde with now fifteen (U.S. published) volumes and numerous individual publications. The author positions McGuckian’s oeuvre as political and historical poetry and offers a provocative new assessment of its crafted silences. This work argues that it is the muted character of McGuckian’s poems—a consequence of a defamiliarized language, the overwhelming sway of the image, and a profusion of intertextual quoting—that constitutes t...
