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A memoir in essays, The Sound of Undoing deconstructs the way sound has overwhelmingly shaped Paige Towers's life. Each essay focuses on a different sound, some perceptible--like the sound of a loon call or gunshot--and others abstract--like the sound of awakening. Given a hypersensitivity to noise from which she has both suffered and benefited since childhood, Towers uses these sounds as a starting point for making sense of past events. She reflects on the estrangement of a beloved sister, sexual abuse and assault, and the link between mental illness and noise in her family, as well as nature, religion, violence, and other themes. Experimental in form and provocative in content, The Sound of Undoing also makes use of research on silence, nature and noise pollution, listening, sound art, autonomous sensory meridian response, and the acoustic environment in general. By exploring memories and feelings triggered by certain noises, this lyrical meditation untangles a life infused with meaning through sound.
The Milwaukee Anthology is a book on hope and hurt in one of America's toughest ZIP codes. In these pages are the stories of a Grecian basketball superstar in the making against an unlikely backdrop; of Sikh temple services that carry on after one of America's most notorious mass shootings; of an astronaut's wish for kids in the same school halls where he formed a dream of space. You won't find Summerfest or Laverne and Shirley herein, but you will find Riverwest, Sherman Park, and the South Side; Hmong New Year's shows, 7 Mile Fair, and the Rolling Mill commemoration. Edited by Justin Kern, with personal essays, narratives, poems, Q&A's, and art from more than 50 contributors including Dasha Kelly, Pardeep Kaleka, and Michael Perry, it's a book about a place on the lake that can make you say "yes" and wonder "why" in the same thought.
Homing: Instincts of a Rustbelt Feminist traces the creative coming of age of a mill-town feminist. Sherrie Flick, whose childhood spanned the 1970s rise and 1980s collapse of the steel industry, returned to Pittsburgh in the late 1990s, witnessing the region’s before and its after. With essays braiding, unbraiding, and then tangling the story of the author’s father with Andy Warhol, faith, dialect, labor, whiskey, Pittsburgh’s South Side Slopes neighborhood, grief, gardening, the author’s compulsion to travel, and her reluctance to return home, Flick examines how place shaped her experiences of sexism and feminism. She also looks at the changing food and art cultures and the unique geography that has historically kept this weird hilly place isolated from trendy change. Carefully researched, deeply personal, and politically grounded in place and identity, Homing is an explicitly feminist and anti-nostalgic intervention in writing about the Rustbelt.
At first glance a reader might mistake It’s Fun to Be a Person I Don’t Know for a juicy Hollywood tell-all, given Chachi D. Hauser’s background as the great-granddaughter of Roy Disney, a cofounder with his brother Walt of the Walt Disney Company. And to her credit, Hauser doesn’t shy away from confronting painful family memories when considering how the stories, myths, and rumors surrounding this entertainment empire have influenced her own imagination. But family history is only one strand in this intricate and variegated weave that also interlaces the social and environmental history of Hauser’s adopted hometown of New Orleans, intimate reflections on love and navigating open relationships, and a searing self-examination that reveals a gender fluidity chafing against social barriers. Hauser’s innovative and multifaceted narrative navigates a variety of terrains, seeking truth as its final destination. While the family company excels in fantasy, Hauser’s story is that of a young documentary filmmaker determined to train a sharply focused lens on the reality of her lived experiences.
We all live lives littered with what we leave behind: places we once lived, friendships we once had, dreams we once envisioned, the people we once were. Each new day we attempt to find a way to continue living despite the absences we experience because of loss and disappointment, injustice and inequity, change and the passage of time. Autumn Song: Essays on Absence invites readers into one Black woman’s experiences encountering absences, seeing beyond the empty spaces, and grasping at the glimmers of glory that remain. In a world marred with brokenness, these glimmers speak to the possibility of grieving losses, healing heartache, and allowing ourselves to be changed.
Compiles the best literary essays of the year 2019 which were originally published in American periodicals.
"A collection of memories throughout Penny Guisinger's life recounting her story of sexuality, love, and marriage"--