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Excerpt from The Belgian Galleries: Being a History of the Flemish School of Painting, Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in Bruges, Antwerp, Ghent, Brussels and Other Belgian Cities In the following pages, I have endeavoured to give a concise description of the works of art in the Belgian galleries as well as some of the most famous masterpieces to be found in cathedrals, churches and other religious foundations. The visitor to the galleries of Antwerp, Brussels and Bruges will immediately notice that the great majority of the pictures are by native artists, only a few foreign works, principally by Italian and French masters, being met with. Dutch p...
Excerpt from The Belgian Galleries: Being a History of the Flemish School of Painting, Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in Bruges, Antwerp, Ghent, Brussels and Other Belgian Cities Floris. - Fall of the Rebel Angels Musee Royal des beaux-arts, Antwerp A. Van dyck.-portrait of a Little Girl (with Dogs by Jan Pyt) Musee Royal des beaux-arts, Antwerp. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.