Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Irish Painting
This is the first full-colour introduction to Irish painting. It brings together a carefully selected, stimulating and stunning display of paintings and details, creating at once an important picture book and a useful history of Irish painting. Dr Brian P. Kennedy's selection and his essays on the sixty-five painters included reflect his contention that Irish talent has been as evident in the visual arts as it has been in the world of literature. Using over one hundred images from private and public collections, his survey results in a comprehensive history revealing the major developments in Irish painting between 1640 and 1953. The extensive bibliography provides in itself a much-needed resource for anyone interested in Irish painting.
William John Leech
Leech painted portraits, landscapes and still lifes, including remarkable self-portraits, interiors and luxuriant aloes. Throughout his life he regularly exhibited in Ireland and England. The majority of his paintings are still in private hands and little known. This retrospective catalogue documents his reclusive life and confirms his place as a major Irish artist.
Irish Art
Irish art of the early Christian era is justly celebrated. So, too, are the individual contributions of artists such as Jack B. Yeats. What is perhaps less widely accepted is the existence of a continuing and developing tradition of Irish art from the earliest times to the present day. Bruce Arnold traces the complex evolution of Irish art through three millennia, showing how it has drawn on Celtic, Anglo-Saxon, Norman, Mediterranean and other diverse sources. As the story unfolds, Arnold repatriates Irish artists who are frequently regarded as 'English'--including William Mulready, Daniel Maclise and James Barry--and shows how Irish painting and sculpture, illuminated manuscripts, metalwork and architecture together form a rich and distinctive cultural heritage.
British and Irish Paintings in Public Collections
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Irish Rural Interiors in Art
This book offers a fascinating view of many aspects of Irish rural life from the eighteenth to the mid twentieth century. Illustrated with more than 250 images, many of which have not been published before, the book evokes the hardships and celebrations of laborers and farmers, men and women, the old and the young as depicted in oil paintings, watercolors, drawings, prints, postcards, and cartoons. Most of the illustrations show people engaged in indoor activities at home, but schools, shops, pubs, and doctors' surgeries are also included. Claudia Kinmonth draws on extensive knowledge of the material culture of rural life to present a new social history of Irish country people. Working within a broadly chronological framework, the author addresses such themes and patterns of rural life as the architecture of houses, where people slept, cooking over the open hearth, rural dress, display, childcare, work within the home, the arrangement of marriages, weddings, wakes, and celebrations. The book also explores why Irish and foreign artists depicted rural interiors and sets their work in the context of art history.
Irish Fine Art in the Early Modern Period
This richly illustrated book presents the latest research into Irish fine art from the 17th and 18th centuries. It is comprised of a rich selection of case studies into artistic practice that showcase the burgeoning nature of fine art media in Ireland, the quality of production, and the breadth of patronage. Investigating these signifiers of a 'cultured' lifestyle - their production, consumption, appreciation, display, and discourse - provides fascinating insights into the sensibility of Ireland's minority-rule elites, and the practitioners it fostered. Featuring contributions from emergent and established art historians, 'Irish Fine Art in the Early Modern Period' takes its subject matter beyond the realms of academic journals, exhibitions and conferences, and presents it within a lavishly designed and vital publication that presents substantial new insights into Ireland's artistic and social history.
Irish Art Masterpieces
A brief history of Irish art masterpieces offers many fine illustrations.
Irish Painting
None
