Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Maddy Again
The fifth and final book in the Blue Door series, which starts with The Swish of the Curtain, the classic story that inspired actors from Maggie Smith to Eileen Atkins 'I wanted to act before I read this book, and afterwards there was no stopping me' Maggie Smith Maddy got up and did her Junior Miss speech, trying not to overdo the comedy. Her American accent was hideous, and very funny, and all the class began to giggle. They clapped when she had finished, and Mr Manyweather roared with laughter 'What a little horror!' he cried. 'I've never seen anything so nauseating, but excellent!' Maddy is on her own again at the Actors' Guild in London, while the others work at the Blue Door Theatre. B...
Golden Pavements
The third book in the Blue Door series, which starts with The Swish of the Curtain, the classic story which inspired actors from Maggie Smith to Eileen Atkins "I wanted to act before I read this book, and afterwards there was no stopping me" Maggie Smith 'How do you think you'll like the Academy?''Like it!' cried Lyn. 'I love it already. I'd not have missed it for the world. This has been the happiest day of my life.' At the Actors' Guild in London, the Blue Door Theatre Company are throwing themselves into anything that will bring the dreams of their own theatre to life - touring the country with the Guild's summer productions, working behind the scenes at local theatrical companies, even t...
The Swish of the Curtain
The classic story of seven children with a longing to be on stage: the inspiration for actors from Maggie Smith to Eileen Atkins In the town of Fenchester, seven resourceful children are yearning to be famous. One day, they come across a disused chapel, and an idea is formed. With a lick of paint and the addition of a beautiful curtain (which, however much they try, won't "swish" as stage curtains ought), the chapel becomes a theatre - and The Blue Door Theatre Company is formed. The children go from strength to strength, writing, directing and acting in their own plays. But their schooldays are numbered, and their parents want them to pack it in and train for sensible jobs. It seems that The Blue Door Theatre Company will have to go the way of all childhood dreams. But with a bit of luck, and the help of some influential friends, perhaps this is not the end, but only the beginning of their adventures in show business...
The Swish of the Curtain
The classic story of seven children with a longing to be on stage: the inspiration for actors from Maggie Smith to Eileen Atkins 'An enchanting book. A must for any child who wants to become an actor' --Eileen Atkins 'And now,' said Nigel, 'the big event. The play, which has got to be exciting.''And serious,' added Vicky.'And colourful,' put in Sandra.'And emotional,' said Lyn.'But not sloppy,' urged Bulldog. What starts as a game during the holidays soon transforms the four girls – Lyn, Sandra, Vicky and Maddy – and three boys – Bulldog, Nigel and Jeremy – into the Blue Door Theatre Company, producing everything from scripts and sets to music and costumes. They are also learning tha...
The Long Field
For readers of H Is for Hawk, an intimate memoir of belonging and loss and a mesmerizing travelogue through the landscapes and language of Wales Hiraeth is a Welsh word that's famously hard to translate. Literally, it can mean "long field" but generally translates into English, inadequately, as "homesickness." At heart, hiraeth suggests something like a bone-deep longing for an irretrievable place, person, or time—an acute awareness of the presence of absence. In The Long Field, Pamela Petro braids essential hiraeth stories of Wales with tales from her own life—as an American who found an ancient home in Wales, as a gay woman, as the survivor of a terrible AMTRAK train crash, and as the ...
Better a Shrew than a Sheep
In a study that explodes the assumption that early modern comic culture was created by men for men, Pamela Allen Brown shows that jest books, plays, and ballads represented women as laugh-getters and sought out the laughter of ordinary women. Disputing the claim that non-elite women had little access to popular culture because of their low literacy and social marginality, Brown demonstrates that women often bested all comers in the arenas of jesting, gaining a few heady moments of agency. Juxtaposing the literature of jest against court records, sermons, and conduct books, Brown employs a witty, entertaining style to propose that non-elite women used jests to test the limits of their subject...
A Little Universe
None
Maddy Alone
The second book in the Blue Door series, following on from The Swish of the Curtain, the classic story which inspired actors from Maggie Smith to Eileen Atkins "I wanted to act before I read this book, and afterwards there was no stopping me" Maggie Smith All that lay ahead were examinations and then the blankness of the holidays. For the hundredth time Maddy thought, 'Oh, why am I only twelve? Why do the others always do all the exciting things before me?' Stuck at home while the older members of the Blue Door Theatre Company attend London's Actors' Guild, Maddy is lonely and frustrated. Under some gentle advice from the Bishop, she finds her way onto the set of a film being shot at a local...
Facing Cancer Together
You hear that a friend has cancer. You want to help, but you're not entirely sure how. Pamela Brown, a cancer survivor, suggests the many ways you can help by your words and actions. In addition to a wealth of practical suggestions, Facing Cancer Together includes entries from the author's journals, as well as Bible readings and prayers to share for support and comfor
The Diva's Gift to the Shakespearean Stage
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning roya...
