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Toby Jenkins, the oldest surviving member of her family, has opened a summer residence program in the Nebraska Sandhills for the wounded and broken, misfits and dreamers. Besides her guests--a minister on sabbatical and a woman recovering from cancer treatment--Toby is joined by Anita and Luís, her hired help; Anita's brother Gabe; and someone Toby least expected, her nearly estranged daughter, Nola Jean. Mother-daughter tensions, age-old prejudices, and generational divides challenge the members of this disparate community as they bump up against each other. Parallel conflicts occur against the backdrop of a changing rural landscape where history clashes with evolving mores. In this thoughtful and moving novel Pamela Carter Joern probes the complications of family relationships, identity, belonging, and the impact of long-held secrets.
"In her stories Pamela Carter Joern makes it clear you can go home again because home never leaves you. Whether telling stories about the writing life or fighting cancer, these stories provide a sense of the anchor home provides regardless of where one lives or travels"--
The inner worlds of characters isolated by geography and habit are revealed in a novel, set in the Nebraska Sandhills, about an aging widow on the verge of losing her family's ranch and her sixteen-year old pregnant granddaughter who visits her for the summer. Original.
In writing both rich and evocative, Pamela Carter Joern conjures the small plains town of Reach, Nebraska, where residents are stuck tight in the tension between loneliness and the risks of relationships. With insight, wry humor, and deep compassion, Joern renders a cast of recurring characters engaged in battles public and private, epic and mundane: a husband and wife find themselves the center of a local scandal; a widow yearns for companionship, but on her own terms; a father and son struggle with their broken relationship; a man longs for escape from a community’s limited view of love; a boy’s misguided attempt to protect his brother results in a senseless tragedy. In the town of Reach, where there is hope and hardship, connections may happen in surprising ways or lie achingly beyond grasp.
The most controversial ecumenical church event in decades, the first Re-Imagining Conference shook the foundations of mainline Protestantism. In this anthology of ninety-five articles, reflections, letters, poetry, and artwork, participants in the conference offer a candid, inside look at what actually occurred in Minneapolis, and at the aftershocks that followed. Amid the cacophonous rumors, hearsay, and ideological clashes that continue to stalk Re-Imagining, the clear voices in this remarkable volume reveal fresh ways of understanding faith, God, and community. They speak to the church today--and to the church of tomorrow.
The departed men in her life still have plenty to say to Corey. Her father, a legendary rodeo cowboy who punctuated his lifelong pronouncements with a bullet to his head, may be the loudest. But in this story of Montana?a story in which the old West meets the new and tradition has its way with just about everyone?it is Corey?s voice we listen to. In this tour-de-force of voices big and small, sure and faltering, hers comes across resonant and clear, directing us to the heart of the matter.
“It’s not going to kill you,” a mother tells her protesting child. And maybe it won’t, but that doesn’t mean anyone is getting off scot-free. A no-man's-land between exoneration and repercussion, this is the place where the people in Erin Flanagan’s stories live: in events as big as 9/11 and as small as an infatuation with a dog groomer, as meaningful as the birth of a baby and as senseless as a car crash, as unique as a 1980s air band living out dreams for a city in decline and as common as an afterschool job that sucks. These stories accept that we all make mistakes, but it’s what we do in the aftermath that defines us. Sharp-witted and tenderhearted, these are stories in which readers will find people they know but never really knew until now.
It’s been a year since the body of seventeen-year-old Kelsey Little was found in the river outside Dark Vespers, Nebraska. Although the town may have reached an uneasy equilibrium, those who loved her most have certainly not: Javier Martinez, her troubled ex-boyfriend and the father of the child no one knew she was carrying; Sam and Hank, her parents, whose marriage is coming apart under the pressure of grief and not-knowing; and Ike Parrish, a reclusive eccentric whose clairvoyant “river spells” compel him to come forward with information about Kelsey’s disappearance and death. A prismatic look at the impact of loss on individual lives, Water and Abandon tells the moving and paradoxical story of those brought together by the very thing that tears them apart. Haunted by Kelsey’s death, each struggles with his or her own demons of blame and guilt, despair and fury—until one, in a confusion of pain, grief, and unrequited love, decides to do something dire. As deeply felt as it is finely crafted, the novel confirms Robert Vivian’s place among the most interesting fiction writers of our day.
McDermot, Nebraska, is a pleasant, scenic western cattle town situated in the Pawnee River valley—just the place for people seeking refuge from their hectic city lives. It is also just the place for those who have made their homes on this haunting prairie since the late nineteenth century. Ideal for both, McDermot means everything to those native inhabitants and something very different to those who are looking for a new life. As the native residents wrestle with the arrival of outsiders, a local journalist uncovers a medical scandal epitomizing the problems facing the divided community. After the death of two men, it falls to the ancient but powerful district attorney to mediate a resolution between the clashing interests of the new and the old West. And the Thurston family, descended from the town’s first citizen, sets out in its own way to fight the forces threatening to destroy it. This is the story of new and old interests colliding, of small western plains towns confronting the forces of “progress.”
Life takes a strange turn when Richard Allan Gordon, thirty years old and as white as they come, discovers that, as a result of identity theft, five-year-old Jada Reece Gordon bears his name. The product of a middle-class Jewish upbringing, Richie finds himself completely in love and lust with Jada’s mother, LaTisha, a twenty-five-year-old African American nursing student, and longs to be a father to her child. Richie and LaTisha’s story takes place at the intersection of love, race, and identity, as the couple is forced to examine their relationship in light of the terrible event that takes the life of a young black father and catapults their midwestern city into chaos. As riots erupt around them and Richie discovers a secret about his own past that challenges his long-held ideas, he and LaTisha must come to grips with the forces that threaten to tear their relationship apart. A novel that doesn’t shy away from the racism that dwells within the unexamined hearts of so many Americans, Twelfth and Race may shock or outrage some readers, yet its story is ultimately timely, honest, and hopeful.