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A Fanfare for the Sun King
This beautifully illustrated volume, published in conjunction with a landmark exhibition at The Fan Museum, Greenwich, gathers together a marvellous group of over 40 fans and fan leaves dating from the reign of Louis XIV.In this fascinating book, daily life and times at the court of the 'Sun King', including well-known figures such as Madames de Montespan and Maintenon, as well as other royal and court figures, visiting dignitaries and national events, are discussed in considerable detail. Many scenes are set in the grounds of Versailles and these are identified by the author, whose impeccable research provides the gossip 'straight from the horse's mouth'. All this is presented in the vehicle of the folding fan, which rose to prominence under Louis XIV. He inspired subject matter for painted fan leaves, and moreover imposed strict etiquette at court involving the use (and non-use) of fans.
Cultivated Power
Cultivated Power explores the collection, cultivation, and display of flowers in early modern France at the historical moment when flowering plants piqued the curiosity of European gardeners and botanists, merchants and ministers, and dukes and kings alike.
Orientalism in Early Modern France
Francis I's ties with the Ottoman Empire marked the birth of court-sponsored Orientalism in France. Under Louis XIV, French society was transformed by cross-cultural contacts with the Ottomans, India, Persia, China, Siam and the Americas. The consumption of silk, cotton cloth, spices, coffee, tea, china, gems, flowers and other luxury goods transformed daily life and gave rise to a new discourse about the 'Orient' which in turn shaped ideas about economy and politics, specifically absolutism and the monarchy. An original account of the ancient regime, this book highlights France's use of the exotic and analyzes French discourse about Islam and the 'Orient'.
Thunder and Herds
This volume is the first summary and synthesis of the rock art of the American High Plains, from Archaic times to the historic period. Even more, it presents an engaging combination of Plains archaeology, rock art sites, and holistic archaeological research. This refreshing approach to rock art studies reminds us that archaeologists glean information from the whole site and everything that may have occurred there, rather than simply focusing on the images on stone. Clues to understanding rock art can be found in other images, in associated artifacts, and in ethnographic analogy. Archaeologists are shown how rock art integrates with other materials available for study. With each page, the reader will be engaged in a compelling, and comprehensive story that focuses equally on the art and the archaeology of the prehistoric plains.
Art of the Royal Court
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework...
Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum
J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
Shapely Bodies
Shapely Bodies is the first study of the politics behind the making of porcelain’s fashionable image in eighteenth-century France.
Crowning Glories
Crowning Glories integrates Louis XIV's propaganda campaigns, the transmission of Northern art into France, and the rise of empiricism in the eighteenth century - three historical touchstones - to examine what it would have meant for France's elite to experience the arts in France simultaneously with Netherlandish realist painting. In an expansive study of cultural life under the Sun King, Harriet Stone considers the monarchy's elaborate palace decors, the court's official records, and the classical theatre alongside Northern images of daily life in private homes, urban markets, and country fields. Stone argues that Netherlandish art assumes an unobtrusive yet, for the history of ideas, surp...
