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If it were not for the vision and enterprise of Darryl F. Zanuck and 20th Century-Fox, chances are none of us would be enjoying widescreen films today. Instead, we'd still be watching movies and TV on the same postage-stamp screen that became standard when movies began to talk in 1927. This survey of Fox's contributions to the CinemaScope Revolution which that studio started back in 1953, examines no less than 140 key films (with extensive cast and technical credits, plus release details and other background information, including prizes and awards).
Dodder, Baldmoney, Cloudberry, and Sneezewort are the last four gnomes in Britain and were first introduced to us in the Carnegie Medal-winning book, The Little Grey Men. In this charming book their story continues and we find them tucked up in their cosy home, next to the Folly, for winter. But when they're awakened from their sleep with the terrible news that the Folly is drying up, they must pack up their belongings and head off in their boat, the Jeanie Deans, to find a new home where they can be safe once again. Along the way they face many dangers and their journey is sometimes perilous and packed with adventure.
Life with Italian Peasants immediately after World War II (2).
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The seminal reference for the latest research in developmental psychopathology Developmental Psychopathology is a four-volume compendium of the most complete and current research on every aspect of the field. Volume One: Theory and Method focuses on the theoretical and empirical work that has contributed to dramatic advancements in understanding of child and adult development, including findings in the areas of genetics and neurobiology, as well as social and contextual factors. Now in its third edition, this comprehensive reference has been fully updated to reflect the current state of the field and its increasingly multilevel and interdisciplinary nature and the increasing importance of tr...
This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr’s dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, ‘writing is more about the things you cannot understand than the things you can’, and her evocation of ‘pastures of the unknown’ forms the thematic through-line of this work. Lady Gregory’s plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
The story of the Garden of Eden is one of the most familiar in the Bible. But if we read it without preconceptions, we discover a narrative as its original audience would have heard it, as its author intended. Robbins explores why the man was created first, and the woman for and from him. She elucidates the reason for the particular punishments, and why the storyteller gave a woman the starring role. She does all this by highlighting the importance of wordplay in the Garden of Eden story. This book introduces not only a wordsmith but, above all, a supreme storyteller who is bound to become a personal favorite.