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This popular dance school was formed in 1955 in Baraboo after local appliance and tire store owner Tony Canepa tap-danced at the Sauk County Fairgrounds as the Mystery Merchant. Upon learning his identity, friends and neighbors begged him to give their children dance lessons. The handsome Canepa was a dancer at the University of Wisconsin. His svelte wife, Alberta, had taken dancing lessons from the third grade through high school. Eventually the dancing duo had 11 children of their own, and as the dancing school grew, so did the dancing Canepa family. Over 3,500 students have learned to dance from the Canepa family. This volume depicts the yearly dance recitals that were staged to benefit S...
Details how the ABRSM became such a formative influence and looks at some of the consequences resulting from its pre-eminent position in British musical life. Its exploration of how the ABRSM negotiated music's changing social, educational and cultural landscape casts fresh light on the challenges facing music education today.
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In Living the Questions: Dispatches From a Life Already in Progress, Wade Tillett takes up the question of how to live – not in some abstract sense, but in the urgent present. Tillett realizes that how to live is a question that each of us is already asking – and answering – moment-by-moment. These texts offer surprising discoveries of how we are already inventing solutions to living in multiple and discontinuous worlds through our daily actions. By examining small specific pieces of daily life, Tillett explores how we navigate through tentative, multiple, and often contradictory positions. Among the many situations artistically explored are visiting a church, narrating a family movie,...
Contains births, marriages, deaths.
Volume One of these remarkable letters and diaries opens with a letter from Britten aged nine to his formidable mother, Edith. Music is already at the centre of his life, and it accompanies him through prep and public school and then to London to the Royal College of Music, where the phenomenally gifted but inexperienced young composer is plunged into metropolitan life and makes influential new friends, among them W. H. Auden and Christopher Isherwood. This was a time of prodigious musical creativity, a growing awareness of his sexuality, and the dawning of his political convictions. Most importantly, during this period Britten met Peter Pears and established the musical and personal relationship that was to last a lifetime. Volume One comes to a close in May 1939, when Britten, accompanied by Pears, departs for North America.The letters and diaries in this illuminating first volume and its successor are supplemented by the editors' detailed commentary and by exhaustive contemporary documentation. Together they constitute a comprehensive portrait not only of the composer but of an age.