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It's 3 o'clock in the afternoon. You're tired and hungry. It's true -- you didn't eat breakfast. You weren't hungry then. And that cup of coffee and doughnut gave you enough pep to last until lunch. You had a big salad then. Pretty healthy -- all that green stuff, even if you did pour on the dressing. So why are you starved? And where have your energy and concentration gone? Book jacket.
"This book focuses on how literate artisans began to write about their discoveries starting around 1400: in other words, it explores the origins of technical writing. Artisans and artists began to publish handbooks, guides, treatises, tip sheets, graphs and recipe books rather than simply pass along their knowledge in the workshop. And they tried to articulate what the new knowledge meant. The popularity of these texts coincided with the founding of a 'new philosophy' that sought to investigate nature in a new way. Smith shows how this moment began in the unceasing trials of the craft workshop, and ended in the experimentation of the natural scientific laboratory. These epistemological developments have continued to the present day and still inform how we think about scientific knowledge"--
Pamela Colman Smith: The Untold Story brings together the work of four distinguished scholars who have devoted years of research to uncover the life and artistic accomplishments of Pamela Colman Smith. Known to millions as the creator of the Rider-Waite Tarotƒƒ‚‚ƒ‚‚ deck, Pamela Colman Smith (1878ƒ‚‚"ƒ‚‚€ƒ‚‚"1951) was also a stage and costume designer, folklorist, poet, author, illustrator of ballads and folktales, suffragette, and publisher of books and broadsheets. This collaborative work presents: a richly illustrated biography of Pamela's life with essays on the events and people that influenced her including Jack Yeats, Ellen Terry, Alfred Stieglitz, Bram Stoker and William Gillette. There is also a chronological survey of her folktales, art and poetry and an exploration of her lasting legacy. Over 400 color images of Pamela's non-tarot art have been curated from her publications including A Broad Sheet, The Green Sheaf, Blue Beard, Annancy stories, Russian ballet, costumes, stage designs, Iri
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
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Boek voor aanstaande moeders met de meest recente informatie over voeding, misselijkheid en gezond gewichtstoename, incl. recepten en voedingstabel.
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Recipes for breakfast dishes, lunches, snacks, salads, entrees, and desserts are accompanied by tips on safety, etiquette, and setting the table
Ever since sixteen-year-old Tabitha Fortune was a child growing up in Rim, South Dakota, she's heard stories about ghost horses-nightmare creatures whose giant bones haunt the sandstone cliffs of the nearby Badlands. When paleontologist Dr. Phineas X. Parker announces plans to dig for these bones, Tabitha vows to join his crew. But this is 1899, and the world has different expectations for young women. Tabitha's preacher father urges her to abandon her interest in science. "Pray for a godly husband," he lectures, "not a godless education." Even Dr. Parker discourages Tabitha, saying, "Vertebrate paleontology is no place for a lady." That leaves Tabitha with just one choice-and being a "lady" has nothing to do with it.
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