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Introduction to Art: Design, Context, and Meaning
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Introduction to Art
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Introduction to Art
Introduction to Art: Design, Context, and Meaning offers a comprehensive introduction to the world of Art. Authored by four USG faculty members with advance degrees in the arts, this textbooks offers up-to-date original scholarship. It includes over 400 high-quality images illustrating the history of art, its technical applications, and its many uses.Combining the best elements of both a traditional textbook and a reader, it introduces such issues in art as its meaning and purpose; its meaning and purpose; its structure, material, and form; and its diverse effects on our lives. Its digital nature allows students to follow links to applicable sources and videos, expanding the students' educational experiences beyond the textbook. Introduction to Art: Design, Context, and Meaning provides a new and free alternative to traditional textbooks, making it an invaluable resource in our modern age of technology and advancement.
Introduction to Art: Design, Context, and Meaning
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
In My Dreams I Ride Wild Horses
Billy Roper has said, "I was born blessedly poor." This simple statement embodies his early hardships and the demons he has battled in a lifetime of struggle to fulfill his dream of being an artist. But being an artist was more than a dream to him; it was a deep and nagging need. In his words, "It was like a hound dog chasin' chickens. I had to draw and paint, but I didn't know how." "Blessedly poor" also speaks of the strength and insight he has gained from his tribulations so that he might conclude, All that stuff that happened down through the years, when I look back on it now, if I was gonna be an artist, that was the price for it. That's how you get to this point--comin' through that--i...
Building Power
Introduction -- Discipline -- Efficiency -- Hierarchy -- Fellowship -- Conclusion.
Modernity and the Construction of Sacred Space
This volume focuses on the connection between modern design and architectural practices and the construction of "sacred spaces." Not only language and ritual but space, place, and architecture play a significant role in constructing "special" or "religious" spaces. However, this concept of a constructed "sacred space" remains undertheorized in religious studies and the history of art and architecture in general. This volume therefore revisits the question of a "modern sacred space" from an interdisciplinary perspective, focusing on religion, space, and architecture during the emergence of the modern period and up until contemporary times. Revisiting the ways in which modern architects and artists have endeavored to create sacred spaces and buildings for the modern world will addresses the underlying questions of how religious ideas--especially those related to esotericism and to alternative religiosities--have transformed the way sacred spaces are conceptualized today.
The Theory and Practice of Perspective
In 'The Theory and Practice of Perspective' by G. A. Storey, readers are taken on a journey through the intricate world of perspective in art, exploring both the theoretical foundations and practical applications of this fundamental artistic technique. Storey's clear and concise writing style makes this complex subject accessible to all, while his detailed explanations and illustrative examples provide valuable insights into the history and development of perspective in art. This book is a valuable resource for art students, educators, and anyone interested in gaining a deeper understanding of the role of perspective in visual representation. Storey's work is a testament to his expertise in the field, as he delves into the nuances of perspective with precision and clarity, offering readers a comprehensive guide to mastering this essential aspect of artistic expression. Recommended for those looking to expand their knowledge of art history and technique, 'The Theory and Practice of Perspective' by G. A. Storey is a must-read for anyone passionate about the visual arts.
The Gentle Art of Faking
In 'The Gentle Art of Faking' by Riccardo Nobili, readers are taken on a whimsical journey into the world of forgery and deception in art. Nobili's witty writing style and clever storytelling transport readers to the bustling streets of Venice where characters navigate the fine line between authenticity and duplicity. The book cleverly blurs the lines between reality and illusion, inviting readers to question their own perceptions of art and truth. Set within the backdrop of the Italian Renaissance, Nobili's narrative highlights the importance of creativity and innovation in the art world. The book is a delightful blend of historical fiction, art history, and philosophical musings. Nobili's ...
Through an Uncommon Lens
"Colorful and sometimes eccentric, Day was best known for his stunningly original, brilliantly executed, and sometimes controversial photographic images of blacks, children, and allegorical subjects. His determination to promote photography as a fine art led him to create photographic representations of the crucifixion of Christ, studies for which he was his own model." "Although he continued to mentor young artists until his death, ill health caused Day to spend the last fourteen years of his life inside his home in Norwood, Massachusetts. By the time he died in 1933, he was virtually unknown, but in recent years there has been a resurgence of interest in his art.".
